性爱车库
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别名:性爱车库
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清晰:BD
- 类型:
- 主演:EveOrlon
- 年代:1972 / 美国 / FredHalsted
- 导演:FredHalsted
- 国家/地区:美国
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时长:34分钟
- 语言/字幕:无对白
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年代:1972
- 更新时间:2024-04-18 14:50:40
- 影视/评论:当前有0条评论,
- 详细介绍:
Conceivedasasupportingshortforitstheatricalrelease…
Conceivedasasupportingshortforitstheatricalreleaseandforeversincescreenedtogetherwiththesamedirector'slegendaryL.A.PLAYSITSELF,thebarelyoverhalfanhourSEXGARAGEcanrightfullybeconsideredanunofficialthirdmovementtothatfilm,evenelaboratingonthemestouchedupontherein.Ifthatfilmcruellyjuxtaposedtheevilthatmenarecapableofinflictingwiththepurityandinnocenceofnaturewhichthehumanracehascarelesslysquanderedanddestroyed,thisastonishingblack&whitefeaturette-amazinglyshotoverasingleday-takesmattersyetanotherstepfurtherwithanimpliedasmuchdesiredimmersionwithmoderntechnologyasonecharacterattemptstomakelovetohismotorcycle,insertinghisrigidmemberintotheexhaustpipeandtenderlyrubbinghiscopiousejaculateintotheupholstery!Boththefreewheelingcinematicstyle–frequentlyfavoringextremeclose-upsofbothmachineryandgenitalia–andtheiconographyofhighspeedvehiclesandtheirleather-attireddrivers,nottomentionitskickasssoundtrackalternatinggirlgroupswithclassicalmusicandappropriatelysoullesssynthesizerbleeps,alignthisfeaturettewithKennethAnger'sreveredcinematicpatchworkSCORPIORISING.Castmembersareanonymousandunfamiliar.BothBijouworldandJohnRowberrylistPaulBarresiandthelateBobBlount,whodiedinanaccidentshortlyaftercompletingtheJoeGageclassicL.A.TOOL&DIE,asparticipants–whocopiedfromwhom?–butIcan'tvouchforeitheroneasevenrepeatedviewingshavekeptmefromanythingresemblingapositivei.d. Openingonthetitulargarage,acherubicyoungmechanicreceivesoralfavorsfromhishippiechickgirlfriendwhosubsequentlyspreadsforwhatamountstoagoodtenminutesofstraightsex.Intercutwiththisisagorgeousupperclassbrat-withaworld-wearymienstraightoutofDEATHINVENICE-sensuouslysoapinghishirsutetorsoandpleasinglypackednetherregionsintheshower,cameratemporarilyzoominginonanotetotakethecarintothegaragetohaveit"greasedup".Ohyeah!Ashedrivesup,thegirlexitswithamixoffrightandtheexistentialrealizationperhapsthatherpresenceisnolongerneeded-indeed,inopportune-inHalsted'sidiosyncraticprivateuniverse.Pickingupwherethelassleftoff,RichieRichiscasuallyhumiliatedandsubmitted,firstbythemechanicandthenbyalong-haired,Jesustypebikerboystoppingby.Apparentlytiringofhishumansexpartners,forwhomhedisplaysbutstrainedennui,thebikerultimatelyprefersthecompanyofhisreveredcycleinstead,lickingandkneadingasheworkshimselfintoafeveredfrenzyculminatinginaforementionedpenetration. Aswithmuchundergroundcinema,thissynopsiscan'tevenbegintodojusticetotheactualexperienceofviewing.Whileunversedintraditionalcinematictechnique,Halstedwasrapidlydevelopingasignatureallhisownthroughvibrant'n'jitteryhand-heldcameraworkandwildzoomsinstillingsignificanceintoseeminglyrandomobjectsthatwasaheadofitstime.Thoughmuchofhissubsequentdirectorialoutputproveddireandunimaginative,hislastfilmBREAKERBLUEadispiritingmess,hiscinematographyremainedfresh'n'exciting,especiallywhenworkingonotherpeople'sprojects,usuallyhislongtimeloverJoeyYale'sfilm-makingeffortslikeTRICKTIME. ByfarthemostdistinctivedirtymoviedirectortohailfromCalifornia,Halstedhaddriftedthroughavarietyofoddjobsbeforetryinghishandatfilm-making.PopularrumorhasitthatheworkedasagardenertoVincentPriceatsomestage,thefeverishfairyimaginationexpandingonFred'shorticulturaldutiesastoincludeplayforpaybedroomanticswiththefadinghorroricon!Theresultingresentmentforthe"rulingclasses"mayhaveinspiredtheroughtreatmentthatbefallstherichkidhere.Bethatasitmay,Fred'slifedecidedlytookaturnforthebetterwhenhemetandfellinlovewithJosephYalein1969."Poisoning"hislegitimatecareerbyenthusiasticallyparticipatinginhisSvengali'smatchingallmalemasterpiecesL.A.andSEXTOOL,YaleremainedHalsted'spartnerinbothlifeandlaborasCoscoco-founder,establishedonJoey'surgingtogainmorecontrolovertheirworkanditsrevenue,muchofwhichhaddisappearedintothewrongpocketsuntilthen.Virtuallyunheardofinapornographicmilieu,withoutdistinctionbetweenthestraightandgaysidesthereof,theyprovedinseparableuntilYale'spassing,withHalstedelectingtojoinhimbyhisownhandshortlyafterinagestureequalpartspoeticandpathetic.DoesitmakemeasentimentalsapwhenIadmittohopingthattheyreallydidrejoinforcesinwhateverconstitutesanafterlife?Ifso,colormecorny!
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