简介：《下一个秋天》是西班牙导演AntonioEceiza的代表作之一，也是VíctorErice早年参与编剧的电影。Eceiza是60年代新西班牙电影运动中巴斯克地区的重要导演，他的一生都在为巴斯克电影的成长和发展做着努力。这部影片属于典型的新写实主义风格，影片由著名制片家ElíasQuerejeta监制，摄影是LuisCuadrado，他后来是Erice的《蜂房的精神》的摄影师。 Director,screenwriter,andproducerAntonioEceizahasspentthelatterpartofhiscareerworkinginandpromotingthegrowthofBasquecinema.AfterEceizaobtainedalawdegreefromtheUniversidaddeValldolid,hestudiedfilmdirectionattheInstitutodeInvestigacionesyExperienciasCinematográficasinthelate'50s,thoughhenevergraduated.EceizaworkedasafilmcriticandanassistantdirectorbeforeteamingupwithinfluentialproducerElíasQuerejetatoproduceapairofshortdocumentariesintheearly'60s.Thereafter,QuerejetaproducedallofEceiza'searlyfilms.Duetohisradicalpoliticalassociations,EceizamovedtoMexicoin1973,wherehemadetwofilmsandlecturedatMexico'sCentroUniversitariodeEstudiosCinematográficos.In1978,hereturnedtoSpaintoworkinBasquecinema.EceizahassubsequentlyusedtheBasquespellingofhisnameinthefilmcredits,AntxonExeiza. LongregardedascentraltothedevelopmentofartcinemainSpain,theNuevoCineEspanol/NewSpanishCinemamovementofthe1960siscurrentlybeingreconsideredinthelightofrecentscholarship.Theseinterviewscontributetothisreassessmentbybringingtoourattentiontheexperiencesoftwodirectorswhowereperipheraltothemovementasawhole.AntxónEceiza,authoroftheNeorealistElpróximootono/NextAutumn(1963)andformallyeclecticDecuerpopresente/PresentinBody(1965),revealstheseanti-Francoistdirectors'contradictoryexperiencesofacceptingsubsidiesfromthestateandrepresentingSpainatforeignfilmfestivals.…