简介：阿根廷超现实主义电影。InaninterestingvariationonthethemeofMyFairLady,Diapasonraisestwoquestions:whatifHenryHigginswasaneurotic,misguidedso-calledsophisticateandElizaDoolittlewasalower-classbutperfectlyidealwoman?Inthe"role"ofafaultyHenryHigginsisIgnacio(HarryHavilio),whowantstotransformBoncha(MartaFrydman)intohisperfectwoman.Ignacioisaround50andsoisBoncha,butwhereasIgnaciohaspretensionsofbourgeoissplendordancinginhishead,heisalsoplaguedbysexualhang-upsandanarrayofneuroses.TheJewishBonchaisoutgoingandlivelyandatfirsttriesherbesttofitintoIgnacio'sworld.Hismistakendominationisnuancedwithpoliticalovertonesthatweaveinandoutofthestory,makingIgnacioaneasystand-inforatotalitarianregime. JorgePolishemergedasanewvoiceinArgentinefilmscenein1986withhisexperimentalfilm"Pitch",asurrealfilmdarkandladenwithsymbolsthatcaughttheattentionofmany.Andalsoallowedtorevaluehisshortfilm"Margotita"(1983),whichmixedatasteforthebizarrewiththedocumentary. After"Inthenameofthechild"(1987)and"Kidergarten"(whohad,despiteshootingindemocracy,enormousproblemsofcensorshipandpressureecclesiastical),triedtocombineregistrationwiththealwaysstrangepeople.Theresultwasalwaysdifficulttogohome,thefilmdebutofthethen"MidachiDadyBrieva"and"MigueldelSel"(1992). Thenredoublethebetwithamoviethatisnotdevoidofvaluesbutwaslargelydestroyed(laziness)bythenationalcriticism,Theladyreturns(1996),wherehewasbornhisrelationshipwithIsabelSarli,andthen-andsincethedeathofhercompanionanddirectorArmandoBo-withdrawalofcinema.Thestyleofthefilmmaker,oftenrudebutcreative,cuajóinafilmthatsomestrangetoday,re-evaluate.…