简介：Twowomenengageinvariousformsofsexualinterplay,withMuehl’sactivedirection–movingoneofthewomen’slegsbackandforthasifconducting.Duringoneveryintimatemoment,itshockstoseehishandcomeintotheframetoadjusttheangleofoneofthewomen’sarms.Meanwhile,asoltarypenisisadornedwitharose,eggs,andsausagesinritualfashion,asifonaplateorinapictureframe.Coloredpowdersraindownonthewomen,bringingtomindtheorgysceneinJackSmith’sfilmFlamingCreatures,inwhichdustandchunksofplasterfalldownfromaboveontotherevelers.Bynow,Muehlwasmakinghisownfilmsaswell,andwassoontobreakwithKren,perhapsbecausehewasmoreinterestedindocumentinghisactivitiesthaninrunningthemthroughthechaosdistillationofKren’sfilmmakingtechnique. Kren'slastfilmtoincludeanydirectreferencetoOttoMuehlis12/66:COSINUSALPHA,a10-minutefilmthatcompletesacycleofelaboratesensualmontagesandmaterials.16mm. http://www.ubu.com/film/kren.html…