简介：Whatremainswhennothingmoreremainsandlifeisliterallyturnedupsidedown?DroppingFurniturebeginsbyfocusingontwoemptyrooms.Soft,barelyaudiblesoundsgenerateasubtlesuspense.Afterafewseconds,whenwehavealmostbecomeaccustomedtotheseeminglyexistentialemptinessoftheapparentlyabandoneddwelling,,twopiecesoffurniturefallfromabovetheimageframe,inslowmotionintothebackroom.Achandelierfollows,fallingtothefloorinthelargefrontroom,shatteringasastartsignalforachoreographyofdestructionstructuredbytwofixedcameratakes.Asofa,readinglamp,andachairwithstuffedanimalsmagicallyfloatdown.Thefurnitureofanobviouslyold-fashioned,middle-classlivingroomisdisposedof,smashingonthefloor,orchestratedbyanechoingsoundtracksynchronizedwiththedeceleratedimage.Astheweighty,built-inclosetisfinallydashedtopieces,atelephonebeginstoringinrealtime—afinalindicationofcommunication.Thehouseplantandtheaquariumthatfalltowardstheendprovidenocluesastotheauthorormotivationofthisritualoftermination.Yetthereisanenigmaticpointconcealedhere.Ontheonehand,wewitnessareleasefromthesuffocatingworldofmaterialpossessionsinanactofdestructiveliberation,alongthelinesoftheclichéoftherockstartossingaTVoutthewindow.Ontheotherhand,thisverywreckageiswhatengulfstheemptyroomonceagain,fillsitwiththespreadingwasteofitsownhistory.Intheend,afterthefadetoblack,weimaginethesoundsoffurtherobjectscrashingtotheground:soundingliketherollingthunderofacleansingstorm.(ThomasEdlinger)…