简介：Quote: BythetimeMichelangeloAntonionireleasedMichelangeloEyetoEyeBeyondtheCloudsin1995,hiskeensenseofpatient,intimateobservationhadseemedtogivewaytoakindofleering,gratuitousvoyeurisminthefilm'srepeated,over-lingeringshotsofthefemaleform.Itis,however,preciselythispainstakingattentiontothevoluptuousnessofformandtactilenessofsurfacesthatmakeshissubsequentshortfilm,MichelangeloEyetoEyeparticularlysensualandtexturalinitsexecution.Prefacedwithatextdescriptionofthefilmmaker'srecenthealthproblems(inparticular,adebilitatingstrokethatlefthimpartiallyparalyzed),thefilmopenswithashotofafrailAntonioniemergingfromtheshadowsashewalksinslow,awkwardgaitintoanunpopulatedhallwhereMichelangeloBuonarotti'smarblestatueofMoses-ascaleddownversionofanambitiouslyconceivedwalltombforPopeJuliusII-isonceagainindisplayafteraperiodofmeticulousrestoration.Composedofaseriesofdetailedobservationsofthesculpture'scompositionfromseveralcameraanglesandvantagepoints,AntonionicontinuallyrefocusestotheshotofMoses'opaquegaze-animagethatissublimelymatchedbythefilmmaker'sownoccluded,returnedgazeasheexaminestheobjectofhisattentionthroughlimpid,wateryeyes.Inadditiontocreatingathorough,meticulous,anddeliberativeobjectivestudyoftheRenaissancesculpture'srobustphysicalformandtimeless,universalbeauty,Antonioni'sjuxtapositionofhisownweakened,agingframeagainstthelarger-than-lifesculptureofMosescreatesanindelible,thoughtful,andpoignantimageonhumanfrailty,transience,creativecompromise,andtheenduringlegacyof-andmortaltranscendencethrough-enlightenedart. filmref.com…