周日画家亨利·卢梭

  • 奥列佛·里德 James Lloyd Annette Robertson 布莱恩·普林格
  • 120分钟
  • Afterthedeathofhiswife,formercivilservantHenriRous… Afterthedeathofhiswife,formercivilservantHenriRousseautakesuppaintingfulltime.Comingacrossasararifiedboob,Russell'sversionofRousseaucouldbestbedescribedasanaccidentalmaster.Mostofhiscanvasesarecrackpotversionsofrealityasseenthroughtheeyesofanaïvepainter,andhislonelinessandlackofworldlyperspectivereallyamplifieshisappliedamateurishness.Russelltreatsthistaleassadlycomic,andtherearemanyjokesandjibesasRousseau'sexpense.Infact,thereissuchalightheartedatmosphereherethatwhenwefinallyviewtheartist'sbestknownmasterpiece-"TheSleepingGypsy"-itcomesasquiteashock.Indeed,manyofRussell'sfilmspurposelydemystifythelegendary,showingthemjustascapableofflawsandfoiblesasusmerehumans.Indeed,ashecontinuedoninhiscareer,thefilmmakerwouldmakesuchanapproachhismainraisond'etra.MuchofhisworkherecanbeseenasthebasisforWomeninLove,Tommy,andhisultimateclassicalrockgodgoof,Listzomania. AdramatisedportraitofthepainterHenriRousseau(1844-1910),knownpopularlyas'LeDouanier'becauseofhisdayjobasaCustomsclerk(heneverreachedthelevelimpliedbythenickname),boththefilm'sbest-knowntitleandtheonethatactuallyappearsonscreen(HenriRousseau:SundayPainter)refertothefactthathisarthadtobeproducedinhissparetime,evenafterretirement. RousseauisplayedbythepainterJamesLloyd,thesubjectofanearlierKenRussellMonitordocumentarywhoseowncareerasamisunderstoodnaïvepainterhadmanysimilarities.AsRusselllatertoldhisbiographerJohnBaxter,"Hehelpedalotwiththeatmosphereandtheactors,becauseprofessionalshavetoadoptadifferentattitudewhenthey'rewithsomeonelikethat.Theycan'tdotheir'acting'bit." ItwasRussell'sfirstfullydramatisedbiopic,withouteithertherestrictionsimposedbyMonitor'sformereditorHuwWheldonorthecomplexfilm-within-a-filmframeworkofTheDebussyFilm.Here,theactorsusetheirownvoices(Lloyd'sCheshireaccentneatlyparallelingRousseau'sprovincialBreton)or,inAnnetteRobertson'scase,aredubbedbyamalevoicetocreateanunsettlinglyandrogynousAlfredJarry.ThefilmalsoreunitedRussellwithMelvynBraggandOliverReed,whowroteanddeliveredtheunderstatedcommentary. GivenRussell'sownbattleswithbothcriticsandproducers,it'stemptingtoassumethatAlwaysonSundayisexorcisingpersonaldemons,asthefilmisbothbyandaboutartistswhooperateoninstinct,frequentlyputingthematoddswiththeexpectationsofthemainstreamestablishment.AlthoughRussellhadhadamucheasierridethanRousseau(atleastuptothispoint),hisworkhadalreadyundergonemuchcriticismandcreativeinterference.

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