献给斯皮尔伯格

  • Rajab Adashev Toʻti Yusupova Toʻychi Oripov Hojiakbar Nurmatov
  • 120分钟
  • ACultsci-ficomedyfomUzbekistan,producedin1991-1992… ACultsci-ficomedyfomUzbekistan,producedin1991-1992.UzbekistanhadareputationforitsfilmswhenitwasstillpartoftheUSSR.TheinternationalsuccessofAbdulladzhan,ordedicatedtoStevenSpielberg(1992)provedthattheUzbekfilmindustrywasstillviableevenafteritsindependence.Thecountry'sreputationasoneofthecentersoftheMiddleAsianfilmindustryiswelldeserved. ConsideringthatMusakov’sAbdulladzhan(1991)wasdedicatedtoStevenSpielberg,wemightsuggestthatthesefourboysembodynothingmorecomplicatedthanaconflictofyouthfulinnocencewithsomeominousthreat—thebasicworkingsofE.T.(1982)orWaroftheWorlds(2005),say.Thatthreat,however,isbestunderstoodnotthroughvaguenationalismorwarmed-oversocialism,butthroughtheotherreference-pointofAbdulladzhan—Tarkovskii’sStalker(1980).MusakovleaveshisboysinasimplifiedradiancesobrightandsooverexposedthatitnolongerlooksliketheskiesofsunnyTashkent,butadisturbing,borderlessluminositytomatchtheflattonalrangeofStalker’s“Zone.”OurUzbekboysarenowhereinparticular;thisisabroaderdomainthananythinginternational.Eventhefinalsceneofthesequeldoesnothelpustocharttheirlocationorfuturewithanyconfidence.Lolaapproachesthebanker’sson(Bakhtiar,playedbyMusakov’sactualson);heisnowalowlymechanic,followinghisfather’slossofemployment,andheturnsaroundtoseeLolainanemptycarpark.Neithercharacterissmiling.

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