女人的哀愁

  • 入江隆子 佐伯秀男 大川平八郎
  • 120分钟
  • InhisreviewofFeminineMelancholyinKinemaJunpo,criti… InhisreviewofFeminineMelancholyinKinemaJunpo,criticMizumachiSeijipraisesIrie'sperformanceasthebestofhertalkiecareer.However,heisverycriticalofthefilmitself,whichheseesasatypicalstoryofawomaninanunhappymarriage.Heisnotsympathetictowardtheheroine'spatientsufferinganddescribesthenaggingmother-in-lawasa"hackneyedtheme."Naruse'sdetailed"documentation"ofHiroko'sroleinthehouseholdisdismissedasa"manneristicobsession,"andMizumachisuggeststhatthedirectorishidingbehind"theshadowofthematerials."Mostseverely,hecriticizesNarusefor"abandoninghisauthorityasanauteur"byresortingto"shinpa-tragedy,"whichisseenasacapitulationtoaformthathas"wieldedapowerfulholdovertheimaginationofthemasses."AlthoughMizumachinotesthatNarusehasprobedinto"thedeepestrecessofthefemalepsyche,"hedoesn'trecognizethisasthefilm'sachievement,perhapsbecauseheislookingforsomethingelsefromthedirector.HisreviewrevealsthedifficultiesNarusefacedinmaintaininghis"auteurstatus"whilemovingwiththetidesofpopularculture.ForMizumachi,thecharacterofYokoisthemosttypicalNaruseheroine,perhapsbecausesheisdraggeddownbyherdelinquentlover;however,inretrospect,itisevidentthatHiroko'stenacioussurvivalofadversecircumstanceslooksforwardtoNaruse'spostwarheroines.

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