夜幕下的哥滕港

  • Sonja Ziemann Gunnar Möller Erik Schumann
  • 120分钟
  • MostpeoplebelievethatGermancinemaduringthe50'srefu… MostpeoplebelievethatGermancinemaduringthe50'srefusedtotackleWorldWarIIandinsteadproducedglossyhistoricalromances('Sissi','LudwigII'),mindlessHeimatfilme(thehighlyenjoyable'Schwarzwaldmaedel'or'DerFoerstervomSilbersee')orshrill,oftenexploitativemelodramas(bestofthecrop:'NachtschwesterIngeborg'withMariaSchell'smuchmoretalentedsisterinthelead). Butjustwatch'NachtfielueberGotenhafen'andyouunderstandwhy.Almostunbearableharrowingattimesthefilmdepictsthefirstmonthof1945whentheRussianRedArmybrokeintotheeasternpartofGermanyandforcedmillionsofcivilianstofleeinthecoldestofwinter.WhiletheRussiansinvadedOstpreussenhundredofthousandsofcivilianswereevacuatedbyships.Gotenhafenwasthelastopenportandshipsleftthetownalmostbytheminute,overloadedbyrefugees. OneofthelastshipstoleaveGotenhafenwasthe'WilhelmGustloff',aformer'KraftdurchFreude'pleasurecruiserdesignedfor1000passengers.Untiltodayitisunknownhowmanypeoplewereonboardbutitissaidtobearound10.000.Theshipsunkwithoutatraceandonlyahandfulofpeoplesurvivedthishellishnightmare. Germany'spostwarsocietyfounditalmostimpossibletotalkaboutallthesufferingofthepeople(airraidsdestroyedeachandeverytownandkilledover600.000inhabitants,over2.000.000diedduringthelastmonthofthewarwhilefleeingfromtheRussiansandcountlessweredeportedtoRussia). 'NachtfielueberGotenhafen'isaverybravefilm,tactfulandtruetothefacts.SonjaZiemannisverygoodbutthehighestofpraisemustbegiventoBrigitteHorney.

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