平行街

  • 剧情
  • Friedrich Joloff Henry van Lyck Ernst Marbeck Wilfried
  • 120分钟
  • DieParallelstraßeisoneofthemostmyster… DieParallelstraßeisoneofthemostmysteriouspioneerfilmsoftheNewGermanCinema.ItwasproducedbyGBF,aproductioncompanyforinnovativeindustrialandpromotionalfilmsandreceivedawardsininternationalfilmfestivals.FrenchcriticRobertBenayouncalledit"aphilosophicalthriller,awesternofmeditationwhichcompensatesforawholeyearofinevitablemanifestationsofstupidity,"JacquesRivetteputitonhislistofthemostimportantfilmsof1968.TheDVDpresentsfortheveryfirsttimethis"unjustlyforgottenmasterpieceoftheNewGermanCinema"(MartinBrady)aswellasseveralrareshortsbyFerdinandKhittl(1924-1976)whichshowhistalentforinnovativefilmexperiments. OneofthegreatestdiscoveriesinthissensewasformerLuisTrenkerassistantFerdinandKhittl’sDieParallelstraße(1961),notbychanceproducedbyhis“GesellschaftfürbildendeFilme”(“Societyofeducationalfilm”).Notathirdpath,butaparallelstreetbecomesthesymbolofKhittl’senterprise,athoughtfulandonlyoccasionallywinkingmeta-commentonmetaphysicsanddocumentaryobjectivityinfilm,sometimesextraordinarilyhilarious,sometimeshardlyabletogetawayfromitsdeliberatelystarchedsetting.Agroupofyoungmenistryingtoanalyseanenormousnumberoffragmentaryfilmdocuments(shotbyKhittlandhiscameramanRonaldMartiniduringtwoextensivetravelsaroundtheworldin1959and1960).The308“documents”–filmsaboutwateranderosion,Brasilia,avolcano,riceinAsiaorameanwhilelegendaryRosstäuscher(horsecheater)–arescreenedoneaftertheafterandintermittedbycommentsoftheteammembers(who,ontheirpart,arebeingcommentedbyasupervisor).“InaKafkaesqueroomfiveIonescoesquepeoplefindthemselvesinaSartreesquesituation,tryingtosolveaCamuesqueproblem”,asbackthenpre-eminentcriticHelmutFärberironicallydescribedthissetting. Khittl,whoin1961likeVeselysignedthefamousOberhausenmanifesto,putstheendofhisfilmatthebeginning(adevicewecanlaterfindinVladoKristl’sworks),signifyingthatdespiteitsmessage–theteamissupposedlybringingtherecordingsinacertainorder–hisfilmwillnevergetastructurethancouldbeoverlooked.AnotheraspecttouchedbyKhittlisthespecialroleofdifferentformsofmediausedforrecordings.Whattodaywouldbecalledamediatheoryofthearchivein1961wasreferredtonotonatheoreticalbutonahighlyentertainingandpoeticlevel.Subtextandmeta-textrunonparalleltracks.(MartinaLunzerandBarbaraWurm@SensesofCinema)

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