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  • Rovshan Aliyev M. Annayev Ilmurad Bekmiyev
  • 120分钟
  • Inthe1960s,MansurovprovidedamodelofCentralAsiancin… Inthe1960s,MansurovprovidedamodelofCentralAsiancinematographythatwasquicklyandeffectivelyrepeatedbyhiscontemporariestoestablishacanonofCentralAsiancinema,whichwouldbecomeknownasthe"goldenage’"oftheregion’scinematichistory.Localidentity,locallandscape,localactorsandlocalthemesconfrontedtheSoviettraditionofuniversalismandmodernitydirectedfromthe"commandingheights"ofMoscow.MansurovrenderedaCentralAsianviewofhumanitythattranscendedsocialistparadigmsandcreatedanimportantprecedentinCentralAsiancultureasitdriftedfromMoscow’scontrol. ... AccordingtoKhodjakuliNarliev,Mansurov’ssuccesslayinhisabilitytocombinephilosophywiththevisualrichnessofrealism: "1963,theyearoftheproductionofthefilmTheContest,isatthesametimetheyearofrenaissanceforTurkmencinema.ThisfilmwasourmessagetotherestoftheSovietUnionastotherestoftheworld." ButthetransformationwasnotlimitedtoTurkmenistan:"TheContestrepresentedsomethingtotallynewforthecinemainCentralAsiaasawhole,"Narlievcontinued.Afteritsinitialscreening,ChingizAitmatovwroteaboutMansurov’sfilm: "IdonotknowofasimilarworkinthecinemaofCentralAsia.Thisoneisonthelevelofthemasterpiecesofworldart.Aftersuchafilm,manywillhavetorevisetheirartisticpositionswiththecinema,andwiththissuccess,onecannotworkasbefore;thecriteriahavemovedtoahigherlevel." Morerecently,DavlatKhudonazarovstated:"BulatMansurov’sTheContestplayedforusthesamepartasthatofRome,OpenCityofRosselliniforEuropeancinema."

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