巴黎秋日

• 别名：巴黎秋日
• 清晰：BD
• 类型：
• 主演：
• 年代：2006 / 印度 / Pushpamala,N
• 导演：Pushpamala N
• 国家/地区：印度
• 时长：120分钟
• 语言/字幕：国语对白 中文字幕
• 年代：2006
• 更新时间：2024-04-18 14:37:42
• 影视/评论：当前有0条评论，
• 详细介绍： PushpamalaN.isaninnovativeartistwhofrequentlyincor… PushpamalaN.isaninnovativeartistwhofrequentlyincorporatespopularcultureintoherintriguingbodyofphotographicworks.Intheprocess,sheadoptsdifferentpersonas,playsironicrolesandemployshistoricfiguresasvehiclestoexaminecriticalissuesoflocation,historyandgender.Thecrypticandcomicaspectofheroeuvretendstocarryasharpedge,andthisisespeciallyevidentinherphoto-basedinstallationsandprojections. Inherexplorationsoftheterrainofcontemporaryurbanlife,theartistexposesculturalandgenderstereotyping.Anewexperimentalfilm-basedprojectbyheriscurrentlyshowcasedasacinematicinstallationatMumbai’sChemouldPrescottRoadgallery.‘ParisAutumn’isaworkoffictioninvolvingashortfilm,andblackandwhitestillphotographsfromit,inthestyleofagothicthriller,whichtellsthestoryofPushpamala’sstayinParisintheautumnof2005. Explaininghowtheprojecthascomeabout,anaccompanyingnoteelaborates:“WhilesherentsaroominoneoftheoldeststreetsintheMarais,strangehappeningsbegintooccur.ItwasthensherealizessheislivingintheouthousesofthemansionthathadoncebelongedtoGabrielled'Estrées,KingHenriIV'sfavorite,whodied,poisonednodoubt,attheageof26justasshewasabouttomarrytheking.Fromthatmomenton,shehadtofindoutaboutthiswomanwhohadcometosuchatragicend.” Theartist'squestin‘ParisAutumn’startsattheLouvre,justopposite‘TheFortuneTeller’byCaravaggio.ItcontinuesthroughtheChapelledesPetits-Augustine’skitschatmosphere,andcarriesonatvariouspointsthroughParis.Notamovingpictureinthetraditionalsense,thisisratherarapid-firesuccessionofstillphotoscarefullyarrangedintoasequentialnarrative.Everythinginthefilmisuncertain.Theplotwanders,thoughitisnotnecessarilypurefantasy,verymuchinkeepingwithherartpracticethatneverquiteresolvesthemysteriesposed. Blendingautobiographicalnoteswithsurrealaestheticsanddramatics,herworkssuperimposelayersoffemininity,humor,andguise.Evenwhiletransgressingthelimitationsofmimeticfiguralrepresentation,PushpamalaN.hasfaithfullystucktothenarrationofthefemaleform.Herworkessentiallyengagestheoriesofpostcolonialidentitycoupledwithafeministhistoricalgaze.Applaudingit,NewYorkTimesartcriticHollandCotternoted,“Iftheresultsarealittledisheveled,theyalsomarkanotherpromisingstepinanextremelyinterestingcareer.” ‘ParisAutumn’premieredatGalerieZurcherinParisasinstallationalongwithfilmandphotographsin2006,andreceivedravereviewsinLeMondeandotherleadingFrenchnewspapersandmagazines.ItwaslaterdevelopedasacinematicinstallationintheformofamovietheatreenvironmentforBosePacia,NewYork,andGalleryNatureMorte,NewDelhi.ThefilmhasalsobeenshownintheVideoetApresProgrammeoftheCentrePompidou,Paris,the4thSguardiInternationalWomen'sFilmFestival,Milan,theBangaloreInternationalFilmFestival,andinnumerousotherscreeningsinIndiaandabroad. Thecuratorialessaysumsupinstatingthat“Pushpamalaseemstoreadtheworldlikea‘complexandstratified,openandenigmatic’literaryworkthatshemakesupassheweavesherwaythroughamysteriousurbanterritorywhere,rightdowntotheflowoftheimages,wefindthe‘halting’natureoftheCityofParisaccordingtoBenjamin,likeasuccessionofpaintingsputtogetherwithdeftbrushstrokes.” 详情