鸿雁传影:何塞·路易斯·格林与乔纳斯·梅卡斯往来影笺

  • 乔纳斯·梅卡斯 何塞·路易斯·格林 José Luis Guerín
  • 120分钟
  • Thiscorrespondence,orexchangeoflettersandvideodiar… Thiscorrespondence,orexchangeoflettersandvideodiariesbetweenacclaimedfilmmakersJonasMekasandJoséLuisGuerinisextremelypotent,there'ssorceryatplayinthemixtureofthetwo.Togetherthey'relightanddark.Mekasknowslife'sjoys,andisalwaysaparticipantinwhathefilms,Guerínisadetachedobserver,cold,presentonlyasablackmote,reflectedintheeyeofoneofhissubjects.Guerínshootsinblackandwhiteandstrivesforformalism,Mekasloveshazard,loveshischaotichand-heldcolourcamera.JonasMekasfeltthathisimageswereinferiortothoseofGuerín,butapictureofhissonSebastiandevouringapickle,followedbyJonasonthedelisausageandwine,andthenacheekycloseupofGoethe'sFaust;whichofthemFaustandwhichMephistopheles?Thatoneshotsetmethinkingaboutthenatureofartandtheprivilegeofartists,andcouldbeinterpretedinanyoneofseveralfruitfulways. Guerín'sCameraisbrutal,hisviewpointblack,ondeathanddistance.HesendsJonasamorbidvideo,regardingaSlovenianfilmwriter,whichisalmostaprovocation.Onebeautifulmoment,filmedthroughagapinhishotelroom'scurtainsshowsayoungcouplefrolickinginthesea,forwhichbriefsegmentheallowsmusic.It'sdeliberatelyvoyeuristicthough,GuerínisdistantheidentifieswithmigrantworkershefilmsinVenice. Thefilms,inanaestheticsensepresentsclarityversusconfusion,realityversusadreamer'sobfuscation.There'sanextenttowhichwhatweseeisarealcorrespondence,anextenttowhichtheyaretalkingpastoneanother.Guerínintonesthatdialoguebetweenfilmmakersisanimpossibility,overimagesoffishheadsoniceinamarket.It'soneoftwovisualquotesIsuspectedarefromPerePotabella(fromPontdeVarsovia). ThedifferenceinviewpointIsuspectultimatelyisthatMekasseesbeautyinthefactthatlifegoeson,wonderinimpermanence,Guerínisblanchedbyit.

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