裂变

  • 年代 革命 爱情
  • Сергей Шакуров Татьяна Кочемасова Станислав Станкевич Георгий Дрозд
  • 120分钟
  • It'satrulyextraordinaryfilm,easilythebestwe’llseea… It'satrulyextraordinaryfilm,easilythebestwe’llseeaboutChernobyl,andcriminallyrarelyseen.Ithassatiricalandsurrealmoments,butisultimatelyadamningindictmentofeverythingaboutthecountryinthe1980s.ThevisualallusionstoEisensteinandTarkovskyarebeautifullyappropriate... RASPADisahard-hittingUkrainianfilmthatdetailsthehorrorsandaftermathoftheRussianChernobylnuclear-reactorincident. InApril1986,SovietjournalistAlexanderZhuralev(SergeiShakurov)returnsfromassignmentinGreecetohishomeinKiev,onlytodiscover,viaananonymousnote,thathiswifeLudmilla(TatianaKochesmasova)hasbeenhavinganaffairwithhisbureaucratfriendShurik(AlexiiGorbunov).Toconsolhimself,AlexanderplansavisitwithhisfriendAnatoliStepanovich(GeorgiDrozd),butbeforetheycanmeet,afieryexplosionripsthroughoneoftheChernobylreactors,whereAnatoliworks,andheisoneofthefirstvictims.However,noannouncementsaremadebythegovernment,andlifecontinuesnormally. NewlywedsValerii(AlexiiCerebriakov)andLyuba(MarinaMogilevskaya)mounttheirmotorcycleandsetoffonacampinghoneymoonintheforestsnearChernobyl.Soontownsnearthesitearebeingevacuated,andinKiev(about70milessouthofChernobyl),ShuriktellsLudmillaabouttheaccidentandadviseshertoleaveatonce.Alexander,however,isabletofindoutnothingfromhissourcesinthegovernment.Atthetrainstationhediscoversmasspanic--allticketsarereservedforgovernmentofficialsandtheirfriends.OntheirtripValeriiandLyubaseedeadanimalsandarestartledbymeninwhiteradiationsuitsexaminingtheareawiththeirinstruments;theyfleetoachurchwhereanEastermassisinprogress.Still,nonewsfromthegovernmentisforthcoming. Afteravodka-soakedEasterparty,Alexanderagreestoallowhiswifeandtheirson,Dimko(TaracikMikitenko),toleavewithShurikonlyifhearrangesaccessforAlexandertoChernobyl.Hejoinsasmallbandofreportersonahelicopterthatfliesovertheabandonedarea,especiallythetownofPripyat,wheremostoftheChernobylworkerslived.Stunnedbutfeelingheroicforhavingbeenabletoreportonthedisastertohisnewspaper,AlexanderreturnshomeandfindsthatLudmillaandDimkohavereturned--theywillfacewhateverfuturetheyhavetogetherasafamily. TranslatedintoEnglishas"Collapse"or"Disintegration",RASPADismuchmorethanachronicleoftheChernobylaccident.Init,producer-director-coscreenwriterMikhailBelikovaimstodocumentacountry'sentiremoral,social,political,andeconomicdisintegration.Therearescoresofconciseandtellingdetailshere,fromthesmall(AlexanderhasforgottentobringarequestedpacketofsoilfromGreece,thehomelandofhisfather,andsohefoolstheoldmanwithsomebackyarddirt),tothemedium(LudmillaliestoAlexanderaboutheraffair;ValeriiandLyubahavebribedanofficialtosendarelativetoanold-agehomesothattheycantakeovertheirsmall,sharedapartment),tothelarge(governmentofficialstellAlexanderthereisnodanger,thenheadtheirlimostotheairportforthenextflightout).Belikovreserveshisgreatestscornforhisownprofession:themedia--intheaftermathoftheexplosion,theTVchannels(seenthroughoutthefilm)continuetocarryonlyamarathonbicyclerace. Mostlydocumentary-likeinstyle,RASPADissavageandunsubtleinitscatalogueofills,yetit'sbeautifullycontrolled,avoidingbothclicheandsentimentality,byBelikov,aformerdirectorofphotographyhelminghisthirdfeaturefollowing1981'sTHESHORTNIGHTand1985'sHOWYOUNGWEWERE.ThecharacterAlexanderisanobviousstand-inforBelikov,whowaslivinginKievduringtheincidentandhasbasedhisfilmonstoriesheheardfromfriends,relativesandcolleagues. InadditiontoKiev,Belikovwasallowedtoshootonactuallocations,includingthecontaminatedtownofPripyat(rowafterrowofabandoned,deathlystillapartmentbuildingsandstreets)and,mosthorrifyingly,thereactorareasofChenobylitself(forwhichscenesBelikovandhiscrew,threeyearsafterthefact,riskedcontaminationthemselves).Yettherearealsotouchesofpoetryhereandsomenearsurrealscenes(thesuddenappearancesofthewhite-suitedfiguresatpublicoutdoorevents,whichthegovernmenthadallowedtogoonaftertheexplosion). Beginningproductionwitha$600,000budgetonthethirdanniversaryofChernobyl,andwiththeSovietfilmindustryinacollapseofitsown,Belikovwastechnicallyaided(filmstock,etc.)byAmericanproducerPeterAlmondandthePacificFilmFund,whichbroughtthemovieandBelikovtoSanFranciscoforpost-production. Thefilmpremieredatthe1990CannesFestival.

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