夏夜的最后一个灵魂

  • Andre Truss Keisha Dyson Benny Parsons
  • 120分钟
  • In1919,HartCranesaidofSherwoodAnderson’sWinesburg,… In1919,HartCranesaidofSherwoodAnderson’sWinesburg,Ohio:‘Americashouldreadthisbookonherknees.ItisanimportantchapterintheBibleofherconsciousness.’ Anderson’smodularnovel--acollectionofinterconnectedshortstories--remainsoneofthehighestregardedworksofAmericanliteraturetothisday,yethasprovedresistanttoadaptationasamainstreamHollywoodfeature.ThatresistancecontinuesinTheLastSoulonaSummerNight(previouslyknownasChicagoHeights),astarklyblackandwhite,experimental,non-linearinterpretationoftheantiquenarrative.Thefilmtakestheoriginallyall-white,century-oldruralstoriesandtellsthemwithapredominantlyAfricanAmericancastincontemporarysouthChicago,celebratingtheuniversalpowerofthesourcewhileplayingonitsanachronisms. TheLastSoulonaSummerNightisaseriesofinter-relatedvignettesthatplayoutintheimaginationofanelderlywriterashestaresattheceilinglightinhisbedroom.Hesensesthatheisneardeath,andhismindhasfractured.Hedoesnotknowifthepeopleheimaginesarehiscreations,hismemories,orhisdreams,thoughwecannothelpbutsensethattheyareabstractedreflectionsonhiscomingofageandhisrelationshipwithhismother,whodiedwhenhewasyoung.Healsoreimaginesthelivesofothershemayoncehaveknown,likethecommunitypastor,afavoriteteacher,andthetherapistwhotreatedhismother.Inhismind,theyareall“grotesque.”Theyhaveanarchetypalmeaningtohim,andallseemtomanifestaspectsofastruggleforidentitythatmayhavekepthimalonethroughouthislife.

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