TheSecondJourney

  • 120分钟
  • 当摄像机轻轻地从远处移动到巨石的心脏时,土著人最神… 当摄像机轻轻地从远处移动到巨石的心脏时,土著人最神圣的地方的魔力在微光中展现出来。 拍摄于一天中不同的时间,特写镜头和全景照片,这超过5亿年的石头形成结合了沉默和声音改变的鸟鸣,以传达一种永恒的感觉,其中也有一种失落的感觉。夜空中幽暗的月亮升起,似乎是一幅抽象的绘画,但它是真实的。影片中刻意保留了电影素材中由发展过程中的问题引起的变色区域,以此来比喻丛林火灾和旅游业对自然环境的威胁迫在眉睫。 第二次旅行(到乌鲁鲁)是感人的地球电影的延续,在这部电影中亚瑟和科林·坎特里尔将他们的全部注意力转向了澳大利亚的风景。这些电影在制作时几乎没有引起共鸣,对内地的这种赞扬在形式上和主题上都显得过于令人不安和不安:表明了电影的政治层面。 Asthecameramovesgentlyfromafarintotheveryheartofthemonolith,themagicoftheholiestsiteoftheAboriginesunfoldsinshimmeringnuancesoflight. Shotatdifferenttimesofday,theclose-upandpanoramashotsofthismorethan500-million-year-oldstoneformationcombinesilenceandacousticallyalteredbirdsongtoconveyafeelingoftimelessnessintowhichasenseoflossisalsoinscribed.Thesomnambulisticmoonriseinthegreatskyseemsalmostlikeanabstractpaintingandyetitisreal.Theareasofdiscolourationinthefilmmaterialcausedbyproblemsinthedevelopingprocessweredeliberatelyleftinthefilmasametaphorfortheloomingthreattothisnaturalenvironmentthroughbushfiresandtourism. TheSecondJourney(ToUluru)isacontinuationoftheTouchingtheEarthfilms,inwhichArthurandCorinneCantrillturnedtheirfullattentiontotheAustralianlandscape.Thefilmsfoundlittleresonanceatthetimetheyweremade,withthistributetotheoutbackcomingacrossastoodisconcertingandunsettling,bothformallyandthematically:anindicationofthepoliticaldimensionofthefilm.