约束之地

  • 历史
  • Pedro Manuel Álvarez Carmen Bueno
  • 120分钟
  • MiguelLittin离开智利之前拍的最后一部片,历史革命题… MiguelLittin离开智利之前拍的最后一部片,历史革命题材,由于73年政变爆发时影片还未完成,直到一年后他在古巴拍完了最后场景。当然影片在智利国内被禁直至独裁垮台,05年洛衫机拉美电影节最佳影片。 Thecoupd'etat,whichinSeptember1973dismantledthefilmproductioninfrastructureinChile,suspendedonlymomentarilytheactivityoffilmmakerswhosince1956hadworkedtowardstheconstructionofanationalcinema.Filmmakers,technicians,actorsandcriticsleftthecountry,amongthousandsofChileanrefugees.ProjectswhichhadbeenstartedduringthethreeyearperiodofthePopularUnitygovernmenthadtobefinishedinexile. FilmslikeMiguelLittin'sLATIERRAPROMETIDA(ThePromisedLand,1972-1974)andPatricioGuzmán'sLABATALLADECHILE(TheBattleofChile,1972-1979)confirmedthatChileanfilmmakerswerecommittedtocontinuingtheirworkasmilitantsandartists.Thesetwofilms,amongmanyothers,playedanimportantroleinthesolidaritycampaignthatmobilizedgroupsandindividualsthroughouttheworld. Since1974,155filmshavebeenproducedbyChileanfilmmakerslivingin16differentcountries.[1]Thequantityandqualityofsomeofthesefilmsmadeinexilesince1974havepromptedmetoundertakealongtermresearchprojecttostudythepeculiaritiesandcharacteristicsofthisuniquephenomenoninthehistoryofLatinAmericancinema.Thediversityandenergyofsomefilms,shownmainlyinfestivals,retrospectivesandspecialprograms,raiseinterestingquestionsrelatedtonationallyorientedculturalproductionoutsideofitsnaturalborders.

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