凯托与科托

  • 音乐 喜剧
  • Medea Djaparidze Bato Kraveishvili
  • 120分钟
  • 《凯托与科托》原本是格鲁吉亚史上第一部舞台音乐喜剧… 《凯托与科托》原本是格鲁吉亚史上第一部舞台音乐喜剧,由剧作家VictorDolidze创作,1948年被改编成这部音乐电影,当时也获得了成功。 Thefinalfallofthearistocracyandthevitalriseofthebourgeoisieinthe19thcentury.ThewealthymerchantMakaritheirdreamsforhisdaughtercleanKetowithanoblepersontomarry.WiththehelpofthefamouskoppelaarsterKabatohefindsasuitablecandidate,aprinceoftheveryhighdescent.ButtheprinceisasoldasMakariitself.Moreover,Ketolovewithsomeoneelseandhasnointentionoflisteningtoherfather. http://www.moviemeter.nl/film/39699 OneofthemostinterestingpagesofGeorgianmusichistoryisconnectedwithVictorDolidze'sname.HeisknownastheauthorofthefirstGeorgiancomicopera.Thisgenredeterminedhiscreativework.VictorDolidzewasgiftedwithallthefeaturessoessentialforacomposeranddramatist:talent,temperament,sharpfeelingoftheatricality,abilitytocreatedistinguishedmusicalandsceniccharactersandsituations.HeisthefirstGeorgiancomposertoincludehumorous,comicandsatiricalelementsintoGeorgianmusic. Dolidze'screativeactivitycountsonly15years,buthistalentflourishedatunusuallyhighspeed.Heisoneofthose,whoachievemuchsuccessimmediatelyaftercomingontoartisticarena.Attheageof27Dolidzecomposedhisopera"KetoandKote",whichwasstagedin1919andbroughtimmediatefametotheauthor.Dolidzewroteotheroperastoo-"Leila"and"Tsisana";sadly,henevercompletedthelatter.Apartfromoperasthecomposercreatedmorethan20romances,symphonicpieces"Azerbaijan",symphonicfantasy"Iveriada",apianoconcert,orchestrapieces,etc. ButDolidze'snameisprimarilyidentifiedwithabrilliantexampleofGeorgianclassicalopera"KetoandKote".Theopera"KetoandKote"isbasedontheplayentitled"Khanuma"byAvksentiTsagareli(1857-1902),awell-knownGeorgiancomediographeranddramatist.TsagareliisarepresentativeofthePleiadofGeorgianintelligentsiawhofellundertheinfluenceofRussianpopulistmovement.Sometimeshewasreferredtoas"GeorgianDostoevsky".IliaChavchavadzespokeofTsagareli'splaysasof"liveexamplesofmodernlife". VasoAbashidzeregardedhimasatruekingofcomicality.TsagareliplayedimportantroleinthedevelopmentofGeorgiantheatreandnationaldramaturgybyintroducingrealismandtypicalnationalcharacters.Inhisplays,hesneersatthestagnanttraditionsofpatriarchalwayoflife.Hewrote"Khanuma"in1882andattractedpublicinterestatonce.Theplaywaspopularatpre-revolutionaryGeorgiantheatre,whichwasgreatlyduetotheauthor'sartisticskill,urgencyoftheplot,sharpsocialsatire,dynamicdevelopmentofscenesandskillfullydepictedcharacters.In1926AlexanderTsutsunavaadaptedtheplayforhisfilm"Khanuma".In1947VakhtangTabliashviliandShalvaGedevanishvilimadeamusicalfilmentitled"KetoandKote". TheideaofcreatinganoperaonTsagareli'splayoccurredtoDolidzeafterhisreturnfromKiev.Ittookhimayeartocompleteit.DolidzehimselfwrotethelibrettoandaskedIosebGrishashvili,arenownedGeorgianpoet,toeditthetext.GrishashvilialsowroteversesfortheoperacharactersSikoandSako. Itshouldbementionedthatthecomposerputmoreemphasisonthecomicalmomentsascomparedtotheoriginalplay;insteadofonekintoheintroducedtwoandintensifiedtherivalbetweentwomatchmakers.Inordertoachievestrongercomicaleffect,eachcharacterhasacounterpersonage:abankruptnoblemanandarichmerchant,matchmakersandkintosandyoungeducatedKetoandKote.Thusthelibrettoisrichindiversityofsocialportraits. TheoperawasstagedbyAlexanderTsutsunavaandwasconductedbySergeiStolerman.Thefirstnighttookplaceon11December,1919.TheoperawasanimmediatesuccesstoyoungunknowncomposerVictorDolidze.Afterthesuccessfulpresentation,theticketswerebookedforthefollowingtenperformances. "KetoandKote"isDolidze'smostpopularandatthesametimemostvaluableworkfromartisticstandpoint.ItoccupiesadistinguishedplaceinthehistoryofGeorgianmusichistoryforsplendidmusic,theatricalityandflexibledramaturgy.Itisatruemasterpieceofnationalcomicopera.Fromthestylisticpointofview,theoperaiscloselyconnectedwithbothTbilisitownfolkloreandtraditionsofItalianoperaschool. "KetoandKote"hasaninterestingscenichistory.Itwasputonthestageseveraltimesinvariousyears.Presentperformanceisthevariantfrom1991.ItshouldbementionedthatthesameyearthecompanywereawardedStatePrize. "KetoandKeto"wasfirstserioussuccessoutsideGeorgiainMoscowandLeningradattheDaysofGeorgianLiteratureandArtin1937.Atvarioustimesitwasstagedat20operahousesthroughouttheSovietUnionaswellasabroad–inPoland(twice),Czechoslovakia,HungaryandBulgaria.

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