电影机器

  • 120分钟
  • "Weareallvictimsofthecinema,"saysMarcoBellocchioan… "Weareallvictimsofthecinema,"saysMarcoBellocchioandhiscollaboratorsinthisnastilyfascinatingItalianversionof"HollywoodBabylon."Forbetterorworse,themoviescanennobleus,debaseusorevendestroyus.Noonewhocomesintouchwiththe"cinemamachine"(theItaliantermformoviecamera)asaparticipantoranobservercanremainuntouched.Originallyconceivedasafive-hourseriesforItaliantelevision,THECINEMAMACHINEisaradicaldocumentarybeingcirculatedina100-minutecondensationofitsbestepisodes.Wesee,forexample,thestoryofTonyDeBonis,anex-boxerwhoorganizeshome-moviefestivalsinhishometownandthenawardshimselftopprize.Thereisanepisodeinwhichthemakersofamateursoft-pornmoviesintheprovincestestaspiringplayersbyhavingthemundress.Thereactionsoftheapplicantsrangefromexhibitionisticbravadotoutterembarrassment.CertainlythemostmovingepisodeintheentiremoviecomesattheendwiththeextendedinterviewofactressDanielaRocca.SheisbestrememberedasthemustachioedwifeofMarcelloMastroianniinthecomedyDIVORCEITALIANSTYLE.Althoughconsideredasensationatthetime,shewasgivenfewerrolesofanyconsequence,andhercareerwentnowhere.Seenhereasthevictimofmentalinstitutionsandbankruptcycourts,shelivesinpoverty,apatheticfigurewhoisignoredbytheindustryandspurnedbymanyofherformerfriends.Sheseemstobeasadiconoflonelinessinaworldwhereifnothingsucceedslikesuccess,thensurelynothingfailslikefailure."Thecinemawillcomebacktome,"shetellsus,"ifIdon'tkillmyself."Therehasrarelybeenasprofoundlymovingoramusinglove-hatedocumentaryonthemoviesasthisfilm.Initeventhosewhohavebeenthemostshabbilytreated,eventhemostradicalandpoliticized,admitafrustratingbutvividloveforthefilmcameraandadeeplongingforitsendproduct:thecinema.

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