玛塞拉

• 别名：玛塞拉
• 清晰：BD
• 类型：生活
• 主演：Marcela
• 年代：2007 / 捷克 / 海伦娜·特雷丝蒂科娃
• 导演：海伦娜·特雷丝蒂科娃
• 国家/地区：捷克
• 时长：120分钟
• 语言/字幕：国语对白 中文字幕
• 年代：2007
• 更新时间：2024-04-15 15:54:55
• 影视/评论：当前有0条评论，
• 详细介绍： 追踪一位普通的捷克女人长达20年时间，拍摄下她从青年… 追踪一位普通的捷克女人长达20年时间，拍摄下她从青年到中年，从结婚到生儿育女再到后来的离婚一个人独居，以此反映出捷克斯洛伐克从丝绒革命至今女性生活的变化过程和差异。 HelenaTrestikova是当今捷克最知名的纪录片女导演，她用20年时间完成了这部东欧女性生活的概括史，其毅力令人敬佩。 TheemotionalstoryofMarcela,awomanwhosemarriageanddivorce,aswellaslossofherdaughterwerecapturedonfilm,wontheawardforbestEuropeandocumentaryattheSevillaFilmFestivalonSaturday.Originallyapartaseries"StudiesinMarriage",thefilmfollowsthefortunesandmisfortunesofMarcelathroughlong-termobservancetechnique–astyletypicalfordirectorHelenaTrestikova.TalkingtoRadioPrague,MsTrestikovasaidthatthefilm'ssuccessinSevillahadcomeasapleasantsurprise.MarcelawinsprizeforbestEuropeandocumentaryatSevillaFilmFestival. Originallypartofa20-yearssurveyofmarriedlifeintheCzechRepublic,thisaffectingdocumentarynarrowsitsfocustorecordtheextraordinarytribulationsofoneofthestudy'soriginalsubjects. Backin1980,seasonedfilmmakerHelenaTrestikovabegananin-depthexaminationofthebondsbetweensixnewlywedcouples,checkinginwitheachpairperiodicallytotrackthecourseoftheirrelationship.TheresultingstudyairedonCzechtelevisionin2006asafour-partseries.AnunusuallystrongreactionfromtheviewingpublictooneindividualinparticularledTrestikovatoextendtheserieswithafifthsegmentconcentratingentirelyonMarcela. MarcelamarriedJirítheyearTrestikova'sstudybegan.Asthecouplebegantodriftapart,thefilmmakerfocusedmoreandmoreonMarcela.Followingheroverthecourseof26years,thedocumentaryseesherthroughnotonlyeverydayproblemsanddisappointmentsbutalsotheconsiderableshocksshehasendured:fromherandJirí'sfailuretosecuretheirownapartmenttotheirdivorce,fromthebirthofasonwithseveredevelopmentalproblemstothesuddendeathin2005ofherdaughter,Ivana-atragedythatleavesMarcelacaughtbetweennear-suicidaldespondencyandarenewedsenseofresponsibilitytowardherremainingchild. Trestikova'sattentivenessasadirectorandherpresenceatmajorturningpointsinMarcela'slifemovinglyindicatethewaysinwhichthelinebetweenneutralobserverandcaringparticipantcanblur.Combiningsympatheticreflectionwithclear-eyedrealism,Trestikovafindsnotonlydramaticresonanceinhersubject'sday-to-dayaffairsbutalsomeaningintheexceptionalmisfortunesthatbesethumanexistence. 详情