玛利亚的阿雪

  • 山田五十铃 夏川大二郎 梅村蓉子
  • 120分钟
  • “Oyuki,the[Virgin]isbasedonKawaguchiM… “Oyuki,the[Virgin]isbasedonKawaguchiMatsutaro’sadaptationofMaupassant’s“BouledeSuif”[“LumpofFat,”alsotheinspirationforFord’sStagecoach].TothisstoryMizoguchiaddedsomeofhisownelements.Maupassant’soriginalwork,setduringtheFranco-PrussianWar,isthestoryofagroupofpeoplewhotrytofleethebattlegroundinahorsedrawncarriage.Thebourgeoisusetheexpression“lumpoffat”torefersarcasticallytotheprostitutewhoisridingalongwiththem.Whentheyarecaughtbytheenemy,theyoffertosendhertothecommanderasahumansacrifice.Thisdone,whentheyleavethebattlefieldthenextday,alltheydoiscensureherandcallhervulgar. ThesceneshiftstotheSeinanwarinKyushu.Atonestage,governmentforcesareseentryingtocontrolthecarriage.Asanewelementtotheoriginalstorythefilmshowstheseforcesbeingdefeatedinbattle.Thecommanderfleesandhidesinthehomeofthefemaleprotagonist,asakéserver. Theoriginalworkisacritiqueofbourgeoisselfishness.[Oyuki]isshownasahumblewoman,protectedbyayoungmanouttomakeasuccessofhimselfintheworld,aMizoguchithemesovisibleinotherfilms.” --TadaoSato,KenjiMizoguchiandtheArtofJapaneseCinema

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