同志物语

  • 喜剧
  • 帕特里克·坦西 芬妮·阿尔丹 理查德·贝里
  • 120分钟
  • Gaycomediesareahardgenretomasterwithanysubtlety;on… Gaycomediesareahardgenretomasterwithanysubtlety;onesideofthefenceisoccupiedbymoviesmadetomockgaysfor'straight'amusement,andtheothersideistomockstraightsfor'gay'amusement.Rightoffthetop,I'llsaythatIenjoyedthisfilm.Notwildly,as20yearsagoIenjoyed'LaCageauxFolles,'yetneverthelessitwasinvolving,goodcharacterization,well-editedandpaced.Yet,yet....OneofthehurdlesformostviewersisthatthefilmisdeeplyrootedintheFrenchgayculturalscene.Andiftheviewerisn'tfamiliarwiththatmilieu,itwillseemasifthefilmwassetinthelate'70sor'80s.EverythingthattheviewerknowsormayhaveheardaboutgaylifeintheUSAinthoseyearsseemsveryalivehere.Thepointis,thatISthewayParisis,evennow.Whiletrend-settingonavarietyoffronts,FrancehasNEVERsetthepaceforgayculture,thathonorbelongstotheUSA.ThusthereisasoundtrackoutoftheGloriaGaynordays(differentsongs,butreminiscentof'PriscillaoftheDesert,')andthelargebackgroundcastofgaycharactersarereminiscentoftimeslonggoneonthissideoftheAtlantic.Iftheviewercanacceptthat'80s-stylegaypartylifeisstillaliveandwellinParisin1996,thentherewon'tbeanyjarringsenseof"whoa-whenwasthisfilmmade?"Thetop-billedstarisPatrickTimsitintheroleofAdrien,thegaymaincharacterwholovesEva,longtimefriendandownerofagayestablishment.Hethinksofherasfamily,andevensayssoatonepointinthemovie.ButtheSTARofthisfilmisFannyArdant(Eva),whoeasilystealseverysinglescenesheisinandnotwithoutreason.Thereisaratherflimsyopeningsetupabouthowallthecharactersmeet-AdrienisnegociatingadealwithAlexandre,abanker,playedbyRichardBerry(sorry,Gtran,buthe'sthebanker,nottheclient),andsoonvariouswives,lovers,'tricks'andothersareallinontheact.ForanyonenotfamiliarwithMs.Ardant,sheisanundilutedjoy(gorent'Ridicule,'now!).Ferociouslyhandsome,wearingheremotionsonherface(andherclothesquitewell,too)whilekeepingherhearthidden,sheengagestheviewerasfewactressdoanymore(Frenchactresseshaveatalentforthat).IfoundMr.Timsitarchandshrillattimes,withouttheunderlyingtendernessandpathosthatinvestedeverymomentofMichelSerrault'sZazaNapoliof1978,buthesuffices.RichardBerrydoesafinejobasa'hetero'forcedtoopenhishorizonsabitwhilepursuingEva.MichèleLaroquehastheunenviablejobofthe'cluelesswife,'butherhesitancyandluminousbeautyplayverywellhere.JacquesGamblinasLemoine,Alexandre'saide,triesveryhardtoportrayamanstillcaughtinthe'it'shardtocomeout'milieuofParis(whichis,sadly,stilltrue),buthelacksacertain"jenesaisquoi"toquitepullitoffsuccessfully;withtime,hemayverywellbecomeagreatactor.Thereareathousandandonejokesinthisfilmthatwillonlybeunderstandabletofrancophones-andParisianFrenchisfast,clippedandveryargotic(Ican'tspeakaboutsub-titling,asIsawaVO[versionoriginale],butIcanimaginetheinabilitytorelaythesenseoftheoriginalinsubtitles).IfyoucanspeakFrenchWELL,you'lllaughalot.Thenodto'90's/21st-centurysensibilitiesaboutAIDS-awarenessislast-minuteandfeelsveryfalse,throwninasasop.Rentthemovie-itisacultclassicinFrance,foravarietyofreasons.However,Iwillgiveyouonemore:asyouwatchthisfilm,ponderthedifferencesbetweenAmericanandFrenchcultureandconsiderwhy,inFranceofallplaces,homosexualityisstillshameful.

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