原子窃贼

  • 犯罪 剧情
  • 雷·米兰德 马丁·加贝尔
  • 120分钟
  • Atelephoneringsinthedark—threetimes,p… Atelephoneringsinthedark—threetimes,pauses,thenringsthreetimesagain.Afully-clothedfigurelightsacigarettebeforerisingfrombed,donsaraincoat,thensetsoutintothenight.Anotherfigureemergesfromtheshadows,lightsacigarette,thendiscardsacrumpledcigarettepack,whichthefirstpicksupandcarrieshome.Backinhisroom,thefirstmanplacestherefuseonhisdesk,pacesapprehensivelyabouthisapartmentbeforehefinallyremovestheinnerfoilandexaminesit.Afterlettingwhatitrevealssinkin,hesetsitonfire,andacoldlookcomesoverhisface... ThusbeginsTheThief,a1952coldwar,espionagethriller—uniqueinthatitiscompletelywithoutdialogue—directedbyRussellRouse,andproducedbyClarenceGreene,whoco-wrotethescreenplay.AllanFields(RayMilland)isanaward-winningnuclearscientistworkingattheAtomicEnergyCommissionresearchlaboratory.Heisalsoaspy,photographingtopsecretdocuments,thenrelayingtheminiaturefilmcanistersbackthroughanelaboratenetworktoenemyagentsinEgypt.Hissignalisthetelephone,andhisliaisonoutlineshisassignmentsthroughinstructionsonhiscigaretterefuse,withnaryawordspoken.Itisadangerousbusiness,andonethatcreatesmanyclosecalls—toocloseforcomfort.Whenoneofhisassignmentsgoesawry,theFBIbeginstoclosein,andtheraceisontoleavethecountrybeforeheiscaught. TheThiefhasallthetrappingsofclassicnoir.Producedattheheightofthe"RedScare,"thefilmmanagestomaintainaconstantstateoftension,relyingheavilyonreactionshotsandHerschelBurkeGilbert'srivetingmusicalscore.Thecinematographyheightenstheeffect,utilizinglightingandcameraanglestoconveytheunspoken.Milland,whowonanOscar®forhisroleinBillyWilder'sTheLostWeekend,carriesthepartofftoperfection,lettingtheaudiencereadhischaracter'sthoughtssolelythroughfacialexpressionandbodylanguage.Thedirectionalsofoolstheaudienceintoanticipatingdialogue,thencleverlyavoidingit.OnlytheOscar®-nominatedscoreandsoundeffectsbreakthesilence. Thisisafascinatinguseofvisualstotellastory,andagrippingsuspensefilm,whichheldmyinterestthroughout,andasidefromonesequencewhereFields'consciencebeginstoplaguehim,thenarrativeisfairlystraightforward,withoutmuchinthewayofgimmickry.Avoidthebackcovertextbecauseitgivesawaytheending,whichwastheonlypartthatdidn'treallyworkforthisreviewer.Forthoseinterestedincoldwar-erafilmnoir,thisiscertainlyworthalook,iffornootherreasonthanitsuniqueness.

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