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  • Composedofvignettesindifferenttechniquesandmateria… Composedofvignettesindifferenttechniquesandmaterialities,UntitledSequenceofGapsusestheformofanessayfilmtoapproachtrauma-relatedmemorylossviareflectionsonlightoutsidethevisiblespectrum–onwhatisfeltbutneverseen.Shiftingbetweenplanetarymacroscales,physicalphenomena,andindividualaccountsofaffectivesubjectformation,thefilmconsidersviolenceanditsworkings,classandqueernessnotthroughrepresentationbutfromwithin. Themontageisslowandrhythmic,yetuneven.Theflowofimagesisinterruptedbygapsnolesssignificantthantheimageryitself.Footageinwhichpublicmemorystandsinforpersonalremembrancestandsalongsequencesrecordedviainfraredimaging,underultravioletlightormicrowaveradiation.Whileponderingtheeffectsoftheinvisibleandthepowerinherentinshiftingviolencebeyondvisibility,thepiecereflectsdigitalarchivesandtechnologiesthathelpshapetherelationtopast,presentandfuture.Ghostsappearfromholesrippedintotimebyanunrememberedchildhood,andawitch-burningritualintheartist’sruralhometownservesasafoilagainstwhichtoquestionthepoliticsofvisibility.

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