未亡人

• 别名：TheWidow
• 清晰：BD
• 类型：
• 主演：Lee Min-Ja Lee Tak-Kyun Choi Nam-Hyeon Yoo Kye-Seon
• 年代：1955 / 韩国 / 朴南玉
• 导演：朴南玉
• 国家/地区：韩国
• 时长：120分钟
• 语言/字幕：国语对白 中文字幕
• 年代：1955
• 更新时间：2024-04-15 14:43:22
• 影视/评论：当前有0条评论，
• 详细介绍： Synopsis HavinglostherhusbandintheKoreanWarandlivi… Synopsis HavinglostherhusbandintheKoreanWarandlivingasarefugeewithherdaughterJu(LeeSeong-ju),Shin(LeeMin-ja)getsbywiththehelpofherlatehusband'sfriendLeeSeong-jin(ShinDong-hun).However,Lee'ssenseofdutytowardhisfriend'swidowsoonturnsintolove.SensinghisfeelingsforShin,Lee'swife(ParkYeong-suk)upbraidsherhusbandindeepjealousyandhysteria,andevenresortstofindingsolaceinthearmsofayoungmannamedTaek(LeeTaek-kyun),whomshemeetsbychance.ThefieryaffairbetweenTaekandLee'swifetakesadifferentturnwhenTaeksavesShin'sdaughterJufromdrowningatthebeach.AlthoughShinfindsherselfreceivingromanticoverturesfromLee,shefallsinloveinsteadwiththesaviorofherdaughter'slifeandentrustsherdaughtertoanotherfamilyinordertomoveinwithTaek.Unfortunately,Taek'sformergirlfriendJin(NaAe-sim),thoughttohavediedinthewar,returnsandhedecidestoleaveShin,toherutterdismay.AlreadysettledwithJin,TaekbidsShinfarewell,butShin,whohadsoughttofindtruthinherlovelifewithTaek,isshockedintopointingaknifeatherlover. Notes "ThefirstandfinalfilmbyKorea'soriginalfemaledirector,ParkNam-ok,whichfaithfullyportraysfromafemaleperspectivethedesiresofwomenaftertheKoreanWar." TheWidow,byKorea'sfirstfemaledirector,realisticallyportraysfromawoman'sperspectivetheactualhardshipsandcircumstancesfacedbypost-warwidows.Whenherhusband'sdeathresultsinthelossofherlivelihood,thefemaleprotagonistacceptsfinancialassistancefromherhusband'sfriendevenassheresistshisromanticadvances.Whenshefallsinlovewithayoungerman,sheistruetoherowndesirestotheextentofleavingherdaughterwithanotherfamilyandsettingupabusinessandahomewiththemoneyshehasreceivedfromherhusband'sfriend.Interestingly,TheWidowdoesnotmythologizeitsdepictionofmotherhood,optinginsteadtostarklyrepresentthehonestdesiresofwomenafterthewar.AlthoughShindemonstratesinnerconflictbetweenromanticandmaternallove,sheultimatelychoosestheformer.Thefilmcouldbesaidtopresentitsfemaleprotagonistassomeone,whoisshockinglytruetoherself,but,atthesametime,itrefrainsfromvilifyingher,ordepictsherinanunsympatheticlight. Unlikemanymaledirectorswholookedwithahypocritical,duplicitousgazeoffascinationandchastisementonpost-war"apresgirls,"ParkNam-ok'sempatheticportrayalmaintainsaclearfemaleperspectivebyshowingjusthowdifficultitwasforwomentosurviveamongmenwhilerealizingtheirowndesires. Afterword: -Thesurvivingfilmstocklacksthefinalscene,makingitdifficulttoascertainthefilm'sending. -TheWidowcameunderthespotlightwhenitwasscreenedatthe1stWomen'sFilmFestivalinSeoul,in1997. 详情