TakhiriZukhra

  • Gulyam Aglayev Yuldus Rysayeva
  • 120分钟
  • DuringWWII,thebaseofSovietmoviemakingoperationsshi… DuringWWII,thebaseofSovietmoviemakingoperationsshiftedtotheeastandthereweremanyfilmsshotinUzbekistan,includingthisgloriousperiodpiecebasedontheUzbekRomeoandJuliet.TakhirandZukhraarechildhoodsweetheartsbroughtuptogetherattheroyalcourt,onlytobetornapartasteenagerswhenTakhirisbanishedfromthekingdom.Shotinshimmeringblack-and-whitebythegreatcinematographerDaniilDemutsky(Dovzhenko'sArsenalandEarth)witheye-fillingsetsandcostumes,TakhirandZukhraisafeastfortheeyesandearsthatincludesBollywood-stylemusicalinterludes. ThecontradictionsofthisperiodareprobablybestexemplifiedbyUzbekipioneerNabiGaniyev'sTakhirIZukhra(45),afascinatingamalgamofhighproductionvalues,lessthanbrilliantdirection,andastrangelyobsessive,RomeoandJuliet-ishnarrativesetagainstthebackdropoftheMongolianinvasionofthe13thcentury.WhilethefilmobviouslyworksasaparableaboutGermany'sinvasionoftheSovietMotherland,ittakesgreatpainstoachieveasenseofculturalautonomywhichconflictswithbothGaniyev'ssenseofloyaltytothePartyanditsdoctrinesontheonehand,andhisapparentfeelingofculturalinferiorityontheother.

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