Ladernièreutopie:LatélévisionselonRossellini

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  • Intheearly60’s,RobertoRossellini,thef… Intheearly60’s,RobertoRossellini,thefatherofItalianNeo-Realism,stepsawayfromthe“classic”movieindustryinordertostartanambitiousprojectoftelevisionproductions.Thefilmmakerwantstoofferhiscontemporariesnewwaystolearnhowtothinktheworld,theircondition,theirhistory.Moviesextracts,radiointerviewsandstoriesofsomeofhisclosecollaboratorsshowhowtelevisionasseenbyRosselliniwastheevolutionoftheworkdevelopedsinceRome,OpenCite.Jean-LouisComollimakesabeautifulfilmsearchingforfriendsandpeoplewhohadworkedwiththegrandmasterofItalianNeo-RealismRobertoRosselini. Jean-LouisComolli(born30July1941)isaFrenchwriter,editor,andfilmdirector.HewaseditorinchiefofCahiersducinémafrom1966to1978,duringwhichperiodhewrotetheinfluentialessaysMachinesoftheVisible(1971)andTechniqueandIdeology:Camera,Perspective,DepthofField(1971-2),bothofwhichhavebeentranslatedinEnglishanthologiesoffilmandmediastudies.Thisworkwasimportantinthediscussiononapparatustheory,anattempttorethinkcinemaasasitefortheproductionandmaintenanceofdominantstateideologyinthewakeofMay1968. AfterhistenureatCahiers,Comollicontinuedhisworkasadirectorandhassincepublishednumerousworksonfilmtheory,documentary,andjazz.HecurrentlyteachesfilmtheoryattheUniversitiesofParisVIII,Barcelona,StrasburgandGenève

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