霹雳金刚

  • 弗兰科·内罗 詹姆斯·惠特摩 德丽娅·布卡尔铎 费尔南多·雷伊 Duilio Del Prete
  • 120分钟
  • Thiswasthefirstbreak-throughsuccessofaPoliziottiIt… Thiswasthefirstbreak-throughsuccessofaPoliziottiItaliancrimemovieandspawnedseveraldozenimitations.Possiblythebestfilmevermade,HighCrimedeliversthegoodslikefewothermovies,blendingsomeexperimentalfilmingandeditingtechniquesinwithsomegoodperformances,solidactionsequences,greatmusic,andsomeprettystunningphotographybyAlejandroUlloa.Unlikealotofothercrimeflicksmadearoundthesameperiod,thisfilmisn'tsympatheticatalltothevillains.Theyarecoldandheartlessthugswho'ssoanythingtokeepthemselvesoutofjailwheretheyrightfullybelong.Thisfilmiscompletelyfascistandright-winginitsundertones,yetmaintainsanengaginglevelofemotionalimpactthroughout.ThescenewhereFrancoNerodiscovershisdaughterdeadmademealmostwanttocry...andCastellariexpertlyhandlestheflashbacksandknowsjustwhentouseslowmotioninalltherightspots. Thiswasn'tthefilmwhichsetthetrendinItaliancrimefilms(seeViolentProfessionals)butitwasanexcellentfilmwhichcausedtheirwidespread(yetshort-lived)popularity.Certainelements(likethegetting-in-car-gun-down)wereendlesslyrepeatedinthegenrebyCastellarihimselfaswellashisfatherMarinoGirolami,whototallyrippedofftheendingofthisfilminROMAVIOLENTA,amuchmoretypicalfilminthegenrewithMaurizioMerli,whoalthoughisnotasgoodanactorasFrancoNero,ismuchmoreintenseastheleadingmaninthesesortsoffilms.

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