金酒杯

• 别名：金酒杯
• 清晰：BD
• 类型：
• 主演：娄·吉尔伯特 Ellen Madison Tom Erhart
• 年代：1965 / 美国 / 菲利普·考夫曼,Benjamin,Manaster
• 导演：菲利普·考夫曼 Benjamin
• 国家/地区：美国
• 时长：120分钟
• 语言/字幕：国语对白 中文字幕
• 年代：1965
• 更新时间：2024-04-08 01:38:21
• 详细介绍： AnOldMan(LouGilbert)risesoutofLakeMichiganandinter… AnOldMan(LouGilbert)risesoutofLakeMichiganandinteractsbrieflywithafewcreativepeopleashedriftsmerrilythroughChicago,atonepointridinginatruckfromtheGoldsteinCompany.Ametalsculptor(TomErhart)looksfortheoldmanwhiletryingtopatchuphisrelationshipwithSally(EllenMadison).Shediscoversshe'spregnantandmakesarrangementsforabizarreout-of-townDoctor(SevernDarden)toperformanabortion.ThesculptoraskshisfatherforhelpandbringsalonghisfriendJay(BenitoCarruthers),wholiftsthefather'swallet.Jayusessomeofthemoneytobankrollanightwithsomefancyladies,whilethesculptorcontinuestosearchfortheinspirationalOldMan. Goldsteinisfarfrombeingcompletelyabstract,butitcloudsitsplotlinetothepointthatnormalnarrativecluesareobscured.Wethinkwe'reconcernedforthefilm'scentralcouple,butSallydropsfromthepictureafteramock-comicabortionscene(surelyshockingfor1965)thatturnsintoaperformancepiecebySevernDardenandhispreeningassistantAnthonyHolland.ThesculptorexpressesconcernforSallybutshiftshisinteresttofindingthemissingOldMan,asiftheOldManwereamagicalcreaturecapableofgrantingwishes.It'simpliedthattheOldManmayrepresentthesculptor'screativespirit-hesimilarlyinspiresaviolinist,whilepushinghiminawheelchairandblockingtraffic.ThiscentralconceitjoinsGoldsteintoFedericoFellini'sJulietoftheSpiritsinwhichLouGilbertplayedasimilarlyaddledgrandfather. AuthorNelsonAlgren(TheManwiththeGoldenArm,WalkontheWildSide)showsupforalengthydialoguescene,oneofmanythatservenoprecisepurpose-thescriptoperatesontheloose"letthemagichappen"modelassociatedwithmanydrearystudentfilmsandtheoccasionalbreakthroughmasterpiece.Moreoftenthannot,the"magic"turnsouttobeeasily-interpretedsymbolism,aswhentheOldManhappilyjettisonsmodernappliancesandatelevisionsetfromthebackofamovingtruck. GoldsteinwasapparentlyaravingsuccessatCannes,areactiondifficulttoreconcilewiththepicturewesee.It'sinterestingenough,butseemstooawareofitsmissionasanAmericanartpicture.Ithasn'tmuchofasenseofhumorandfartoomuchofitsrunningtimeisdevotedtoopen-endednon-scenes:CharactersdriftaroundChicagowithoutmuchrhymeorreason.Itseemstailor-madeforprogressive60sfestivalaudiencesreadytoapplaudanythingthatthumbsitsnoseatconventional,linearfilmmaking. Kaufmanofcoursewentontoasterlingcareer,makinginterestinggenrefilms(TheGreatNorthfieldMinnesotaRaid,InvasionoftheBodySnatchers)aswellascharacterstudiesaboutartistsontheedge(Henry&June).Someofhispicturespracticallyinventtheirowngenre,likeTheWhiteDawnandTheWanderers.Hisnextmovie,FearlessFrankwouldbeasecondshoestringChicagoeffortstarringmanySecondCity/CompassPlayersandintroducingJonVoight.Abizarreandsometimesincoherentsuperherofable,itattemptsaflipsatiricalattitudeakintoJean-LucGodard.MGM/Sonyshouldreallytrytofindawaytobringitout. 详情