玛利亚·玛丽布罕之死

  • 玛格达琳娜·蒙特祖玛 克里斯汀·考夫曼 坎蒂·妲玲 Manuela Riva 英格丽·卡文 Anette Tirier
  • 120分钟
  • Thisbizarrefilmbyoneofthemostoriginaldirectorsnoww… ThisbizarrefilmbyoneofthemostoriginaldirectorsnowworkinginGermanyishermetic,expressionist,oblique,andofacreativeperversitythatbespeaksthepresenceofagenius.Purportingtodealwithareal-life19thcenturydiva'whosepopularitywassuchthatover-exertionledtoherdeathwhilesinging,'thefilmisactuallyagrislyseriesoffrozenortorturedtableaux(predominantlylesbianinimplication)ofheavilyrouged,frequentlyuglywomenwho,pretendingtosingheavyopera,gothroughcontorted,icyattemptsatcommunicationthatleadnowhere.Thelip-syncisoff;thesingingisoff-pitch;mouthsarefrequentlyopenwhilenosoundissuesforth,orclosed,withmellifluousariasorcheappopularsongsheardonscratchyrenditionsofoldrecords.Neitherburlesquenorslapstick,thefilm'sintent,atleastinthebeginning,isneverthelessironicalandsubversive,thoughmysteriouslyso.However,itgrowsincreasinglydarkandmorethreatening,withscreams,facesbathedinVaseline,red,wetmouths,smearedeyeshadows,anddehumanizedfigures.Onecannot'explain'Schroeter'swork,otherthanrecognizehisdebunkingofoperaasametaphoricalrejectionofbourgeoissociety;butonetremblesinrecognitionofaprospectivemajortalent." AmosVogel,FilmasaSubversiveArt

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