去往巴黎

• 别名：我们要去巴黎
• 清晰：BD
• 类型：
• 主演：Ray Ventura Philippe Lemaire Françoise Arnoul Christian Duvaleix
• 年代：1950 / 法国 / 让·布瓦耶
• 导演：让·布瓦耶
• 国家/地区：法国
• 时长：120分钟
• 语言/字幕：国语对白 中文字幕
• 年代：1950
• 更新时间：2024-04-08 01:30:05
• 详细介绍： ThephenomenalsuccessofNousironsàParis(itattracteda… ThephenomenalsuccessofNousironsàParis(itattractedanaudienceofalmostsixmillioninFrance)suggeststhatithadlatchedontotheZeitgeist,andindoingsorevealssomethingaboutthepsycheoftheFrenchnationatthestartofthefirstdecadeafterWWII,thedawnofanewera.Alivelymusicalcomedy,verymuchintheAmericanmouldbutwithanunmistakableGallicfeeltoit,itisafilmthatmarksadecisivebreakbetweenthegenerations-theoldstersstillstuckintherutofpost-warausterity,subservienttorulesandregulations,resistanttochange;theyoungstersdefiantlystrikingouttocreateanewworld,wherefreedom,individualityandfulfilmentaretheguidingprinciples.It'sthebeginningofyouthcultureinFrance,andapreludetothesocialupheavalsandinter-generationalconflictthatwouldcomeoverthefollowingtwodecades,culminatinginthenear-revolutionthatwasMay1968. Curiously,thefilmwasnotdirectedbyayoungfirebrandbutbyanestablisheddirectorinhislateforties,JeanBoyer.Sincetheearly1930s,Boyerhadconsistentlyturnedoutfilms(mostlycomedies)withimmensepopularappeal,andhisearliermusicalLaRomancedeParis(1941)hadbeenoneofthebiggesthitsoftheOccupationera.InNousironsàParis,Boyer'smostexuberantcomedy,amusicaliconoftheinter-waryearsRayVentura(togetherwithhisorchestra)joinsupwithahostoftalentednewcomers-FrançoiseArnoul,PhilippeLemaireandHenriGénès.Ifthishappybunchsymbolises'lanouvelleFrance',theFranceofyesteryearisrepresentedbythepowerlessauthoritarianFredPasquali,whoendsuppullingagunonhisowndaughtertogethisownway!AnyresemblancetotheunpopularFrenchpresidentofthetime,VincentAuriol,isofcoursepurelycoincidental. UnlikemostFrenchmusicalsofthisera,thisonesucceedsinproperlyintegratingthemusicalnumbersintothenarrative,ratherthanjustthrowingthemininatotallyhaphazardfashion.Asaresult,NousironsàParisflowsnaturallyandneverseemscontrived,andthecentralplotidea-youngsterssettinguptheirownradiostation-washighlypertinent.Atthetime,thestate-runcompanyRadiodiffusionFrançaisehadexclusiverightstobroadcastovertheairwavesinFrance-allcommercialandprivatestationswereoutlawed.Whenitbeganbroadcastingin1955,Europe1wasapirateradiostation,operatingfromoutsideFrance.Itwasn'tuntilthe1970sthatpirateradiotookoffinFrance,soBoyer'sfilmwas,tosaytheleast,aheadofitstime. InadditiontoVenturaandhisband(whoserveupsomesprightlynewnumbersinbetweensnatchesoftheirbiggesthitsofthe1930s)NousironsàParisavailsitselfofthetalentsofsomeothernotableperformersofthetime.HenriSalvadorandthePetersSistersare(literally)parachutedintothefilmfortheirbignumber,ajazzyshowstopperwhichappearstohavebeenentirelyimprovised.Hollywood'smostrecognisablegangsterGeorgeRaftiswaylaidlateroninthefilm,playinghimselfinhisusualhard-boiledmanner(butwithasoupçonofmischievouscharm).Andthen,justwhenyouleastexpectit,MartineCaroleglidesintoviewandtriesoutherseductivepowersonthemalemembersofthecast(let'shopeBoyerhadplentyofcrashmatsathisdisposal).Enjoyableasthese'guestappearances'are,nothingcandistractusfromthegaminecharmsofFrançoiseArnoul,who,havingjustbeenpropelledtostardomviaWillyRozier'sL'Épave(1949),wassettobecomeoneofthebiggestnamesinFrenchcinemainthe1950s.Thefilm'spopularityledBoyertorepeatthewinningformulaafewyearslater,NousironsàMonteCarlo,withseveralmembersofthecast(notablyVentura,GénèsandLemaire)returning,inthecompanyofanotherrisingstar,AudreyHepburn. 详情