峡谷航道

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  • 达纳·安德鲁斯 布莱恩·唐莱维 苏珊·海沃德 沃德·邦德 帕特里西亚·罗克 霍基·卡迈尔克
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  • "JacquesTourneuratworkincoloronWesternlandscapesis… "JacquesTourneuratworkincoloronWesternlandscapesissomethingtobehold.ThecreditsrolloveramatteofadampdayinPortland(slantingrooftops,aship’shalf-seenmast,boardsoveramuddystreet)that’spracticallyaGrafström,theOregonTrailthatfollowsisfinely-drawnwatercolor.ThenascentcommuneofJacksonvillewouldbeFordian,exceptthatDanaAndrews’negationofpiety("Amancanchoosehisowngods")andAndyDevine’sacknowledgementofIndianrights("We’reontheirland.Theyain’tlikelytoforgetthat")challengeManifestDestiny.Overlappingtriangles--Andrews-SusanHayward-PatriciaRoc,Andrews-Hayward-BrianDonlevy,Andrews-Roc-VictorCutler,Hayward-Donlevy-RoseHobart.HoagyCarmichaelwithmandolinamidtheramblersandsettlersiswastrel,commentator,mediator,andvoyeur("...alittlestoreandlotsoftime").Thecabin-risingsequencetipsitshattoHathaway’sTrailoftheLonesomePine,andwasstudiedbyWeir.Theweddingbashcelebrateswholenessbuttheseareforcesintenuousbalance,DonlevyvoicesTourneur’sambivalence("Theillusionofpeaceisuponit")momentsbeforetheIndiansmaterializeviaasinglereverseshotthatseemstointroduceaparallelworld.Anotherspace-expandingreverseshot,thistimeembodyingtensionsfromwithinratherthanfromwithout,takesplacerightbeforeAndrews’brawlwithWardBond,cuttingfromamedium-shotofthetwoatthesalooncountertoanotherrevealingthetownspeopleinthewings,waitingforthespectacle.(Thefight,remarkablybloodyandugly,hingesonthehauntedimageofthedisorientedBondsmashinghisfistintoawoodenpole.Haywardsitswiththecheeringcrowd.)Afilmof"thinmargins":Thesaloondoublesasahangingcourtroom,thegardenbecomesaninferno.TheviewofadazedRocwanderinginthewoodsaftertheslaughterisfromIWalkedwithaZombie,andfindsitswayintoDemme’sBeloved;StarsinMyCrownrevisitstheterritorywithhopeforharmony,butWichitaandGreatDayintheMorningknowbetter."

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