建筑工地

• 别名：InthePit
• 清晰：BD
• 类型：
• 主演：Salvador Enriquez Castillo Sofia García López José Guadalupe
• 年代：2006 / 墨西哥 / Juan,Carlos,Rulfo
• 导演：Juan Carlos
• 国家/地区：墨西哥
• 时长：120分钟
• 语言/字幕：国语对白 中文字幕
• 年代：2006
• 更新时间：2024-04-08 01:27:19
• 详细介绍： PSIFF'sCineLatinoprogramwasespeciallyinvitingthisy… PSIFF'sCineLatinoprogramwasespeciallyinvitingthisyear.IwishIcouldhavetakenmuchmoreadvantageoftheirfare,but,amgratefulforwhatIgottosee. FromMexico,IwaseagerlyanticipatingJuanCarlosRulfo'sInthePit(EnelHoyo,2005),whichcamehighlyrecommendedtomebySergiodelaMora,whograciouslysatthroughitonemoretimewithme.InhisBayGuardiancapsuleSergiosuccinctlywrote,"DirectorJuanCarlosRulfofinallyletshisfamousfatherrestinpeacewhiledynamicallyexploringhisownvoice.Thisdocumentarybringstogetheron-siteconversationswithworkerswhoconstructedthesecondlevelofthehighwaywherethreemillioncarscirculatedailythroughMexicoCity." InThePitwonBestFilmatthe2006BuenosAiresInternationalFestivalofIndependentCinema,BestDocumentaryatthe2006KarlovyVaryInternationalFilmFestival,theGrandJuryPrizeforWorldCinema-Documentaryatthe2006SundanceFilmFestival,theJoseCuervoandAudienceAwardforbestdocumentaryattheMoreliaFilmFestival,andwasawardedtheKnightGrandJuryPrizeof$25,000intheWorld&Ibero-AmericanDocumentaryFeatureCompetitionattheMiamiInternationalFilmFestival. Asthefilm'swebsiteattests:"Thepitisbutthepretext...whatyouencounterislife."OrasVariety'sRobertKoehlerputsit,thisdocumentaryaboutthebuildingoftheflyoverorsecondlevelofMexicoCity'sPeriféricofreeway—Mexico'smostcontroversialprojectinthelastdecadenecessitatedbythemorethan3millioncarsinMexicoCitytoday—is"[m]oreaninquiryintowhatmakesworkingpeopletickthanastudyoftheprojectitself,thepichighlightsthehumandimensionsinvolvedinanyhugepublicproject."Fipresci'sLucyVirgennotesthesimilarityofitsfaithful,poignantportraitofMexico'sworkingclasswithJiaZhang-ke'sDong.NickSchageratSlantdistinguishesthatthefilmisn't"anovertcritiqueofsocio-economicdividesasitissimplyacompassionateattempttoshinealightonitssubjects'individualityandbasichumanity." Rulfoaccomplishesthisbyfocusingonahandfulofalbañiles(constructionworkers);acastofcharacterswhoinferEveryman.Iftheirlanguageisnotgluttedwithprofanesexualizations—"ElGrande"harasses"Shorty"byfeminizingandfetishizinghisbutt—thenitelevatesintosuspiciousincantasNatividadrecirculatestheancientMexicanlegendthat—foreverybridgebeingbuilt—thedevilasksforonesoul,inexchangeforthebridgenevertofall.Natividadisconvincedthedevilhasclaimedmorethanhisdue. "[G]roundedintheconvictionthataudienceswiththeireyeswideopenwilldrawtheirownconclusions",Rulfoobserveshowthisteamworks"insubterraneanpitsbuilttoshoreupthepillarsthatsupporttheseconddeck,aswellashighabovetoinsertthousandsofsteelrodstoreinforcetheconcretecolumnsandblocksthatcomprisethedeck."AquickglimpseatthephotosectionofRulfo'sIMdbprofileextolsthevertiginouscameraworkheundertookfornearlyfouryears.AlongwithRainerHoffmann'sridingtherailstoElNorte,Rulforemindsthatatruedocumentarianisnotopposedtodirtorthesaltofsweatorsteppingintothelives(andworkshoes)ofhissubjects."JuanCarlosRulfomaytalklikeaconstructionworker,"LucyVirgencomments,"butheshootslikeagreatfilmmaker."AsmuchasRulfoassertsthathehastriedtoremaininvisible,however,andasmuchasVirgencreditshimwiththis,ittakesperhapsaMexicanalikeNativeStranger'sNayelitocatchthesubtlewaythefilm'ssubjectsnicknameRulfogüero(blond)anddefertohimas"usted"insteadof"theinformaltú"—"indicationofthedifferenceinsocialstatusbetweenthem." Thedocumentary'ssounddesignisincredible.Schragerwrites:"InthePitisadocumentarydefinedbysymbiosis,itsmeldingofmusicalinstrumentswithconstructionsitesounds(clangingjackhammers,crunchingiron,screechingmachinery)asonicreflectionofitsportraitofmenbecomingintimately,inextricablyassociatedwiththeirartificialcreation." Acrosstheboardwithcritics,itisthedocumentary'scoda—asweeping,6-7minutehelicopterscanofthePeriféricofreewayunderconstruction—thatstunninglycontextualizestheimmensityoftheprojectandthenumberofindividualsnecessarytoconstructthisarchitecturalmammoth.You'reliftedoutoftheworldofoneworkteamtowitnessthelaborofhundredsanditsimpactuponmillions.Theeffectistranscendent. Cross-publishedatTheEveningClass. »PostedbyMichaelGuillenatJanuary29,200706:24PM 详情