移动的影像

  • 米娅·迈 汉斯·马尔 哈里·弗兰克 鲁道夫·克莱恩-鲁格 洛妮·内丝特
  • 120分钟
  • AfterthedeathofhisbrotherGeorg,JohnVanderheitexpec… AfterthedeathofhisbrotherGeorg,JohnVanderheitexpectstoinherithisfortune.Unfortunately,justbeforehediedGeorgmadeawillinwhichhebequeathedhisentireestatetohiswife,Irmgard.UnwillingtoyieldtoJohn,Irmgardtakesflightandundertakesahazardousjourneyintothemountains.Here,shemeetsakindlyhermitwhooffershershelter.Johnisnotfarbehind,however,andwhenImrgardrepulseshimhecausesanavalancheinanattempttokillher.Trappedinthehermit’sshelter,Irmgard’snewfriendremoveshishood–andrevealsthatheisherhusbandGeorg... DasWanderndeBildmarkedthebeginningofthefruitfulcollaborationofdirectorFritzLangwithwriterTheavonHarbou.Theymarriedin1922andthecouplewouldbecomethecreativeforcebehindsomeofthegreatestGermanfilmsofthepre-WWIIera,workssuchasDr.Mabuse,derSpieler(1922),Metropolis(1927)andM(1931). Untilquiterecently,DasWanderndeBildwasthoughttohavebeenlost,thefatesufferedbythemajorityoffilmsmadeinthesilentera.Fortunately,anincompleteprintsurfacedinBrazilandthefilmwaspartiallyrestoredinthelate1980s.Aroundathirdofthefilmismissing,alongwiththescriptandinter-titles.Despitethis,therestoredfilmissurprisinglycoherentandthelacunaarehardlynoticed. DasWanderndeBildmaynotbeLangathisbest(itsmainweaknessesbeingitsslightlyludicrousplotandsomeembarrassingPerilsofPaulinemoments),butitamplydemonstratesthedirector’smasteryoftechniqueandflairforexpressionthroughthesilentimage.Thefilmismostmemorableforitsbeautifullyrealisedlocationsequences,whichappeartoshowtheinfluenceofLang’scontemporaries,notablyD.W.Griffith.(©JamesTravers2009)

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