超越极端的暴力：Merzbow的不安聆听

• 别名：噪音狂人：秋田昌美
• 清晰：BD
• 类型：
• 主演：秋田昌美
• 年代：1998 / 荷兰 / AryanKaganof
• 导演：AryanKaganof
• 国家/地区：荷兰
• 时长：72分钟
• 语言/字幕：日语
• 年代：1998
• 更新时间：2024-04-08 00:50:44
• 影视/评论：当前有0条评论，
• 详细介绍： MasamiAkitaakaMerzbowisoneofthemostprolific“noisic… MasamiAkitaakaMerzbowisoneofthemostprolific“noisicians”intheHarshNoisegenre,withover300releasessince1979thatrangefrom5cassettesetspackagedinsideVHSboxesandlimitededitionCD-R’stothe50CDMerzboxandtheULTRA-limitededitionofNoiseEmbryothatcomespackagedinsideaMercedes.MerzbowtakeshisnamefromDadaanti-artistKurtSchwittersandhishouse-sizedinstallation,Merzbau.　　AsidefromcreatinghissymphoniesofcacophonyMasamiAkitahasalsowrittenbooksandarticlesonextremecultureandSadomasochism,lendshisservicesasafreelancewritertoavarietyofpornographymagazinesandhasdirected/actedasconsultantonvariousHarakiriandKinbakufetishfilms.HealsoscoredthefilmDeadman2forthedirectorofthisdocumentary,IanKerkhof.　　OvertheyearsIhavemanagedtoamassafairamountofMerzbow’soutput,butIhaveneverreallyknownmuchaboutthemanhimself,otherthanthefactthathedigsbondageandanimalrights.SowhenIdiscoveredIanKerkhofdirectorofthebrilliantTokyoElegyandNicetoMeetYou,PleaseDon’tRapeMe!,hadmadeadocumentaryonthisJapaneseenigma,Ihadtofindandviewitimmediately.　　Theopening20minutesorsoofthefilmisbasicallyfootageofMasamihangingoutwithsomepigeons,walkingthestreetsofTokyo,putteringaroundwithhiselectronics,etc.withsomedatedvisualeffectssuperimposedontopofitwhileasampleofhisdissonancethrobsonthesoundtrack.Thenhebeginstospeakabouthowhegotintothenoisesceneinthelate70s/early80s,howasayouthhewantedtomakemusic“sodreadfultolistentothatitwouldn’tbeconsideredmusic”,andhisobsessionwithcollectingvariouseverydaysoundsandincorporatingthemintohiswork.　　AsthedocumentaryprogressesitisclearMr.KerkhofisattemptingtotranslatetheideasofMasamiandhisheroes,theDadaiststothefilmmedium;theflowisrelentlesslyinterruptedbycuts,splices,inserts,samplesandseizure-inducingstrobesmakingitsomewhatofatasktoendure,whichI’msureiswhathehadinmind.AlthoughformethesegmentswherethesedisruptionsarekepttoaminimumasMasamienlightensusonhisinspirationsandfixationswerethemostintriguing.　　ThroughoutthefilmsruntimeTheMerzwaxesphilosophicalonsuchsubjectsaspreandpost-WWIIpornography,Japan’suniformfetish,thenationalsignificanceofSepukku/Harakiriandthedistinctionbetweenthetwo,Bataille’sconceptsoferoticism,Gothicarchitectureandmuchmore.Wealsoaretreatedtosomeliveperformanceswhereherockshisbizarronoisemachine-cum-guitarcontraptionandsomeexcerptsfromhisHarakirifetishfilmLostParadise,overwhichheexplainsthatincertainarchaicreligiousceremonies,totestifytheirutterdevotion,womenwouldofferuptheirentrailstothegods.　　AroundhalfwaythroughthedurationMasamipronouncesmyfavouritequoteofhis:“Ifmusicwassex,Merzbowwouldbepornography”-forme,thatprettymuchsumsuphisworkinanutshell. 详情