热线列车

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  • OneofthebeaconfilmsoftheEuropeancinemaoftheThirtie… OneofthebeaconfilmsoftheEuropeancinemaoftheThirties.Celebratingthesoundfilmasarebirthofcinema,Trenopopolarecombinesandharmonises,withgenius,severalcharacteristicsofthecinemaoftheperiod.Talkingpictures,ofwhichitistoooftensaidthattheyrenderedcinematheatrical,alsoaccentuatedandstimulatedrealism.(...)Thisrealism,bornfromsoundandthepossibilitytomakecharactersspeakintheirownlangauageandwiththeirtruevoices,hereextendstoaunanimistdepictionofItaliansociety,andnotablyofthepetitebourgeoisieofthetime,portrayedwithgreatveracityinitsdailyactivityandbehaviour.Andthefactthatthefilmisentirelystagedinexteriorsmakesitpossibletoassignititsplace–itprecedesRenoir’sTonibyayear–asthefirstneo-realistwork.Thefilm’sdescriptionofsocietyispresentedwithalyricismwhichcomesinpartfromthemusicalstructure,towhichNinoRota’sscore,oneofthemostbeautifulinthehistoryofcinema,bringsanunparallelledemotionandgrace.ItwasMatarazzowhopersuadedNinoRotatoworkforthecinemaandthemusicofTrenopopolareishisfirstfilmscore.Sometimesmelancholyornostalgic,thefilmalsobreathesatendersensuality,apparentinthelandscapes,thephotographyandthemovementsofsomeofthecharacters.Thefilmachievesamiraculousbalancebetweentheacutenessofthesociologicalrealismandthelyricismofthedescriptionofnatureandofthatbriefexaltationthatseizesthecharactersintheircontactwithit. JacquesLourcelles,Dictionnaireducinéma,Laffont,Paris,1992

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