随想曲

• 别名：随想曲
• 清晰：BD
• 类型：
• 主演：卡尔梅洛·贝内 Tonino Caputo 安妮·维亚泽姆斯基
• 年代：1969 / 意大利 / 卡尔梅洛·贝内
• 导演：卡尔梅洛·贝内
• 国家/地区：意大利
• 时长：120分钟
• 语言/字幕：国语对白 中文字幕
• 年代：1969
• 更新时间：2024-04-18 16:55:28
• 详细介绍： AnunrestrainedphantasmagoriafromItaly'sCarmeloBene… AnunrestrainedphantasmagoriafromItaly'sCarmeloBene,oneoftheworld'smostdefiantlyidiosyncraticfilmmakers.Itmaynotbehisbestwork,butitisquiterepresentative:vulgar,hystericalandlikenothingelse. space ThePackage Themulti-talentedCarmeloBeneseemstobebetterknown,atleastinhisnativeItaly,forhisnovelsandplaysthanforhisfilmmaking.That'sashame,ashisfivefeatures(thelastofwhichwas,made,sadly,in1975)rankamongthemostfascinatinganddistinctiveevermade.Ofcourse,it'sdoubtfulthatBene'speculiarbrandofcine-lunacywouldeverfindfinancialbackingnowadays,muchlessareceptiveaudience. Madein1969,CAPRICCI,Bene'ssecondfilm,is,likeitspredecessorNOSTRASIGNORADEITURCHI(OURLADYOFTHETURKS),ahallucinatory,non-linear,andultimatelyapocalypticlookatlifein"modern"Italy.UnlikeBene'sbestwork(NOSTRA)andthemind-roastingSALOME,whichmayjustbethecraziestmovieI'veeverseen),CAPRICCIhasnotdatedparticularlywell.Theviolentseriesofcaraccidentsthatclimaxthefilm,forinstance,mighthaveseemedshockingbackin'69,butnowadaystheyplaylikeslowouttakesfromNASHBRIDGES.Likewise,a"scandalous"lookatatransvestiteloveaffairfeelscontrivedandplainsilly. That'sNOTtosayCAPRICCIisn'tworthseeing.Itis,afterall,utterlyunique,andafascinatingtimecapsuleshowingjusthowweirdmoviesgotinthelate60's,arguablythecinemaäslast"goldenage." space TheStory Well‡okay,CAPRICCIhasnostorytospeakof,justaseriesofsurrealvignettes.ItbeginswithadissatisfiedCommunist(playedbyBenehimself)gettingintoadualwithasuperior;theyfightwith,appropriatelyenough,ahammerandasickle.Anoldmanliesinbedbesideanalluringnakedwomen;makingnoisyraspingsounds,hetriestohavesexwithher(andhasaboutasmuchsuccessasBenedidinNOSTRASIGNORELLADIETURCHI,wherehetriedtoscrewwearingasuitofarmor!).Beneandaladycompanionmakeoutfuriouslyinthebackofasmashed-upcar(intimationshereofCRASH).Andsoon. space TheDirection TheItaliannovelistAlbertoMoraviahasdescribedCarmeloBene'sworkas"desecrationbydisassociation,pushedbeyondthepointofschizophrenicdelirium."I'llbuythat.DisorientationseemstobeBene'sprimarygoal,evincedinthefast,jaggedcuttingandhispreferenceforwavingthingsinfrontofthecameralens.Scenesaremoreoftenthannotstructuredaroundtheirvisualessence,withlogicandstorytellingbeingthelastthingonthedirector'smind--Bene'spictorialsenseissostrikingheactuallygetsawaywithanapproachthatmostHollywooddirectorswouldlovetofallbackon(butcan't).Addtothatapreference(evidentinallhisfilms)forsentimentalariasandyou'vegotonebizarrelyimpressionisticfilm,onethatmustsimplybeexperiencedratherthan"understood." (fromfright.com) 详情