巴黎画诗

  • 120分钟
  • Fromatopographicperspective,UlrikeOttinger’scinema… Fromatopographicperspective,UlrikeOttinger’scinemaismostlylocatedbetweenBerlinandremoteplacesintheFarEastortheFarNorth.InParisCalligrammes,sheexploresthelandscapeofhermemoriesofthecitythatshecalledhomefor20yearsandthathelpedshapeherbeginningsasapainterandfilmmaker.OttingermovedtoParisinhertwentiesandimmersedherselfintheculturalsceneofthe1950spopulatedbyheroesoftheavant-gardeandanewgenerationofartistsandintellectuals.Meanderingbetweenbookshops,concerthalls,theatres,cinemas,museumsandcafés,Ottingerpresentsherpersonalpantheon,andatthesametimemapsadecisiveerabothinart–asDadaandSurrealismgavewaytoSituationismandPopArt–andinpoliticswhere,in-betweenpost-warhopes,theAlgerianconflictandthestudentmovementsof1968,therewasmuchtodiscuss.Nonetheless,thefilmmaintainsitsintimatestancethroughout,assemblingarichandemotionallychargedrepertoireoffilmclips,newsreports,photosandsongswiththesamemeticulousaffectionthatpeopleusedtosticknewspaperclippingsandphotosinadiarysotheycouldwritearoundthem.

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