复活节晨

  • 120分钟
  • Thefilmmanagestostandoutfromanimmenseoeuvre(andapa… Thefilmmanagestostandoutfromanimmenseoeuvre(andapackedexhibitionspace)thatspansassemblagestopaintinganddrawingtofilm.Forthepiece,Connerreworkedfootagefromhis1966Super8film“EasterMorningRaga,”digitalizingthe8mmfootagetoexpandtheimages.Theresultappearslikeastopmotionpicture,withframesthatmoveinrhythmtothetrancelikeinstrumentalchantofTerryRiley’scomposition“InC”(1964).Variouslensflaresactasakindofcompositionalforce,drivingthemovementoftheshotsthroughclose-upsofplants,burningcandles,andanudewoman.Thehummingpaceofthecutsworkwiththesoundandthesometimesblue,sometimeshoneyamberlighttobuildtowardstheculminatingfeelingthatthefilmhassomehowtranscendedthesumofitsparts. Connerenvisioned“EasterMorning”asa“metaphysicalquestforrenewal,”andthepieceactsasatriumphantclosingacttoaretrospective–andalife–filledwithanxiousquestionsaboutthedestructiveconsequencesofhumanpower.Thereworkedversionmanagestobothliftawayfromthesixties-erathemesoftheoriginal,aswellasactasasignificantcontrasttotheapocalypticfeardominatingtherestoftheexhibition.Perhapsit’sthiscontrastthat,forme,buoysupthememorabilityofthefilm.Withhisfinalwork,Connerseemstosuggestthatthebestwaytoresolvealifefilledwithafearofdeathistolearntoacceptit.

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