Jam

  • 魔幻 青春 生活
  • 克里斯多夫·莫利斯 阿米莉亚·布摩 戴维·坎恩 朱莉娅·戴维斯 凯文·埃尔登 马克·希普 Roz McCutcheon
  • 120分钟
  • WithJam,theTVfollow-uptohisRadio1seriesBlueJam,Chr… WithJam,theTVfollow-uptohisRadio1seriesBlueJam,ChrisMorrisfocusesmoreonuneasemorethanthesatireofBrassEye.Indeed,it'samootpointwhetherJamcanactuallybecategorisedascomedyatall.Eachsketchissteepedinaheavybrineofdark,ambientmusic(includingBarkPsychosis,DavidSylvianandBrianEno),grainyimagery,fast-cuteditingandslo-motion.Itsmirthless,Kafka-esquescenariosfeellikeanattempttomorphintosomenewspeciesofpost-comedythatismorelikethestuffofnightmares.Thecredits,inwhichMorrisstalksthemovingcamera,utteringLear-esquewordsofforebodingimmediatelyannouncethatthis"sketchshow"isagalaxyapartfromTheTwoRonnies. TheappalledlookonactorKevinEldon'sfaceintheopeningsketchoftheseries,asayoungcoupleinvitehimtoendurebeingbuggeredbyamutualacquaintance("Ineedabreak"),setsthetone.Rape,chemotherapy,wantonurination--asanaked"RobertKilroy-Silk"goesinsaneinasketchfullofdetestationfortheoleaginousTVpresenter--andrecurringsketchesinvolvingcallouslyauthoritarianNHSdoctors,allgotomakeuptheseannalsofthebizarreandperverse. Ultimately,Jamdoesn'tquitework,notonTVanyway.Therepetitionofthesame,smallcastoverandover,brokenuptoobrieflybyMorris'ownappearances(asa"countrygentleman"livingoutsidehishouse,forinstance),coupledwiththegruellingtreatmentofthesketchmaterialmakesforapsyche-probing,jaw-droppingexperience--butinpartsalsoanullifyingandstrangelypredictableone.Morris's"failures"arefarmoreinterestingthanmostpeople'ssuccesses.--DavidStubbs

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