聖彼得堡日記:莫扎特安魂曲

  • 音乐
  • 120分钟
  • AlexanderSokurovusedfivetelevisioncamerastofilmMoz… AlexanderSokurovusedfivetelevisioncamerastofilmMozart’sRequiemMass,whichtheDirectorhimselfhadstagedinthesmallPhilharmonicHallinSaintPetersburgin2004. Themaincharacteristicoftheperformanceisthatthechorusisn’tstill,itmovesaroundonthestage.Themovementsinspacearen’tspecifiedinthescript;sometimesthechorusmovesaroundchaotically,sometimestheycometogetherontheproscenium,sometimestheygatheratthebackofthestage.Inthesameway,thesoloistsmovearoundfreely.Thankstothelighting,thesemovementscreateaplayofchiaroscuro.Thefilmisnoteditedinatraditionalmanner.Wedidn’ttrytorespecttheusualsuccessionoftheframes,nordidwefollowthesoloists,nordidwetrytosustaintherhythmofthemusicalworkthroughourediting.Therhythmofthefilmchanges,itdoesn’talwayscoincidewiththerhythmofthemusic.Thespectatorfollowsthechangesoflighting,themovementsoftheinterpreters,theirfaces,theiremotions.ThepeopleofSaintPetersburgwhocametoseetheperformancearealsothecharactersofthefilm. (A.Sokurov)

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